The History of Hares

The History of Hares-By Angelique Duncan

Most folks are familiar with the magical bunny who delvers eggs on Easter morning. However, rabbits and hares have long history with enchantment and mystic symbolism outside of the annual spring holiday.

Depending on the culture the hare represented life itself and was the ambassador of sorts to Mother Earth. It was believed that hares were the companion of the White Goddess or the Earth Mother and thus held in high regard among the animals. The hare has been used symbolically to represent the cycles of the seasons, the moon cycles, rebirth and redemption as well as serving as a symbol of existence. In multiple cultures they represent love, fertility, abundance, growth and good fortune.

There are many connections between the hare as the chosen companion to different Goddesses. It was believed by the Celts that the Goddess Eostre animal spirit was a white hare and that on a full moon she would transform into a hare herself. The Norse Goddess of love and sensuality Freyia, traveled in a chariot drawn by cats and rode with a boar and a hare. The tradition of releasing a hare before battle comes from Boudicca, queen of the British Celtic Iceni who is recorded as doing so for good luck and to determine the battle plan by the hares’ movements. In ancient Germanic paganism the Earth and Sky Goddess Holda, leader of the Wild Hunt and creator of weather phenomenon; is said to have been followed by a procession of torch bearing hares.

It was thought to eat a rabbit would be to devour a Goddess. The female association with hares went further that many believed that wise women of their villages would shape shift into hares under moonlight. Some thought that when elder wise women passed away that their souls became hares that would represent and communicate with Mother Earth relaying messages to humans. Therefore consuming the meat of a sacred hare was the equivalent to eating someone that one might have known or perhaps ones own mother or grandmother.

The Celts and Teutonic peoples believed that rabbits and hares would keep borrows underground because they had the ability to commune with the Earth. Some beliefs stated that hares could communicate with dead and carry messages back and forth from both the human world to the dead world of the spirits and also to the magic faerie realm under the ground. It was thought that rabbits were impervious to evil and offered protection. They were often kept as a pet for that reason. From this mythology came the practice of *carrying a rabbit’s foot or part of a departed rabbits pelt to ward off evil spirits. To carry a rabbits foot would prevent kidnapping by faeries and prevent one from taken underground to the spirit world.

Hares were used in woodcuttings and religious art by the Christian church to persuade Pagans and followers of Goddess religions with familiarity of symbols. However the hare was seen as too virile and aggressive an animal by European Christians and was eventually phased into the less aggressive, meeker rabbit. Some historians believe this was a very intentional measure of symbolism in art to psychologically undermine the once powerful and magical creature to Pagans. The Rabbit became the symbol of springtime celebrations and associated with renewal given to the world by Christ. The White hare once companion with Ostara and the Goddess Eoster was replaced in imagery of the Madonna holding a white virginal bunny. It was believed that bunnies could become pregnant without conception from a male and hence became associated with the Virgin Mary.

As Pagan religions declined and Christianity spread rabbits and hares became associated with negative connotations and superstition. Like cats and foxes they were believed to be witches familiars. The belief that women could shape shift into hares under moonlight shifted to a myth that rabbits and hares were actually witches. The behaviors of hares helped to feed this notion. Hares can scream when in distress that sounds like a human wail. They also have the ability to stand on their hind legs for extended periods. Although they are mostly solidary and nocturnal; they will gather in a drove during daylight in the spring and dance and box upon their hind legs. This behavior was thought to be witches convening for an equinox meeting. The animal once associated with luck was feared as a bad omen if it crossed ones path. Fears of rabbits and hares were further fueled in North America for their heavy use in Hoo-Doo rituals and African American folk beliefs.

As spring approaches and fluffy bunnies and rabbits emerge take note their heritage that they were once the companions of Goddesses and messengers of the faeries and Mother Earth and quite possibly someone’s departed wise grandmother. Remember that the rabbits and bunnies represent the majestic and magical hare and bring you spring tidings and maybe a little good luck.

*In modern times with awareness of animal rights and protections of species please refrain from carrying the foot severed from an actual rabbit. Faux rabbits feet are available and carrying a talisman with the representation of a rabbit can also serve to bring you good fortune.

Illustration “White Rabbit-Spring Ostara Miniature Art – Pocket Charm” Copyright Intricate Knot. To more of Intricate Knots art and where to buy visit her artist page Art For A Gloomy Day.

Illustration “Jumping to Spring” Copyright Michelle Angelique Duncan. To see more of Twilight Faerie’s art and where to buy visit her artist page Twilight Faerie Nostalgic and Capricious Objects.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Featured Artist Interview March 2016: Gothbunny

To find where Gothbunny sells her wares visit her artist page on HAB. 

Interview with Katrina of Gothbunny Handmade Jewelry and Gifts:

At what age did you discover your love of Halloween?

I have loved Halloween for as long as I can remember but I think I really started to like Halloween and all the fun scary things that go with it when I was a 13 and 14.

What is your fondest Halloween memory?

I think one of my fondest Halloween memories is going trick or treating with my cousins and friends when I was little. In the summer my mom and I would start on figuring out my costume and go to the fabric store to get supplies to make it. My mom always made my costumes, they did not have the costume shops like they do now and I think it was better that way. I will take a homemade costume over one from a shop any day.

How do you celebrate Halloween?

Now I celebrate Halloween with my husband, we go to haunted houses and have fun. We just moved to a new house and we have kids in the neighborhood so we will get to hand out candy for the first time this year.

When did you start creating in your medium and what training have you had?

I have worked with clay and beads on and off over the years. I love a good how to book and I have found lots of good information on the web. The best training you can get is just picking up your medium and play with it to figure out what you can do with it.

What was the inspiration to create what you create and when did you know you wanted to create Halloween?

I started creating Halloween jewelry because its something I like to wear. I wanted to create Halloween inspired designs from the first time I started working with clay.

Easter Hares & Springtime Scares 2016


The 2016 Easter Hares & Springtime Scares Give Away has concluded!

Wishing all our friends a very Happy Spring!

If you’d like to find more Easter Hares & Springtime Hares Art visit our 2015 Art event page. Click HERE to find more Easter Halloween mash ups for sale. or search HAB Easter on Etsy Click HERE to find more Easter from HAB.

How To Enter:

Visit one of the contributing HAB artist shops and leave them a message wishing them a Happy Spring!
Next like the HAB Facebook page and message us a Happy Spring greeting on our wall.
Fill out the form below.

Official Rules

Entry deadline is Midnight on March 21st 2016. The Winner will be chosen at random. One entry per person. Winner will be notified via email. The prize will ship on March 22nd 2016. The winners name will be posted on the Halloween Artist Bazaar website and Facebook page. Members of Halloween Artist Bazaar are not qualified for entry. No age restrictions. Contest open internationally, however please note that prize may not arrive before March 27th for Easter due to international shipping delays.*your countries custom charges may apply.* We will not sell or trade information on entry form, information gathered is for contact and promotional purposes of Halloween Artist Bazaar only.

Contributing Halloween Artist Bazaar Artists:(check back as the list grows and photo’s of the winnings are posted!)
Twilight Faerie
Sauvage Raven Creations
Jan’s Beads
Gothbunny
Odd Origins

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Foxes

Foxes-By Angelique Duncan

After the rise of Christianity and the abandonment of animal spirits and totems, many animals once held in high regard for their enchanted qualities were reduced to suspicion and even thought of as evil. The fox has been a victim of this fate. In literature and fables they often take the role of trickster or antagonist, depicted as treacherous and dishonest creatures. At times they are synonymous with deception, cunning and manipulation. However the fox wasn’t always painted in such a negative light.

Once upon a time foxes were held in great reverence. The fox has its place in mythologies ranging from ancient Greece to numerous legends from Asian and the Orient. They are prominent in the folklores of Nordic, Gaelic, Celtic and European cultures. The Native Americans and Eskimos acknowledge foxes for their magical qualities in their story telling. Pre Christianity, they were considered Gods of the Forest, symbols of prosperous agriculture, protectors and punishers of wrongs and loyal companions held with respect.

Foxes in ancient tales were often helpers who used their high aptitudes to guide humans or assist other animals. They were associated with intelligence, adaptability and rationing skills. Often depicted as finding a clever way to assist in a dilemma or out smart an adversary. The term to be “sly like a fox” comes from these observations of fox behaviors.

It was thought that a fox could out wit opponents by anticipating and planning for their next moves well in advance. Foxes have been said to be one of the most strategic of animals in their ability to evade predators and hunters. Foxes will seek shelter when they smell or sense danger long before of a predators approach. Foxes will use their tales to cover and disperse their own tracks and will leap in zig -zags touching their paws to low and high places to throw off their scent. Foxes have been attributed with psychic powers for their ability to foresee inclement weather by baying and whimpering before signs of rains or snowstorms.

The term vixen is used for a female fox, and in modern times has become equated with women of trickery. It was believed Foxes were shape-shifters. Often taking the form of a beautiful woman. To be “foxy” comes from the Celtic folklores of sleek attractive women, often referring to red heads of high intelligence, who would change into foxes. In many of these romantic legends as well as friendship tales, the fox is loyal and often will either save or change their companions life to the better as a way of showing gratitude for a debt or righting a wrong.

Due to the belief Foxes were shape shifters with high intelligence and psychic ability it was thought that they were companions to witches; or perhaps themselves witches. Foxes have historically and in almost every culture been attributed to have magic powers. A Finnish belief is that an enchanted fox is responsible for the aurora borealis or foxfire. The legend is told that a magical artic fox runs each night so fast in the snow that as his tale swishes back and forth it creates sparks that are captured with snow crystals that fly up into the night sky creating the Northern Lights. Another legend says that the lights are caused by a fox who leaps and runs over the mountains tossing snowflakes into the air changing them to the lights in the sky.

Who knows if the foxes are actually Gods watching the forest, shape shifting witches or magical creatures? Only they truly know. Should you make the acquaintance of a fox, be kind and respectful for they may become your next loyal companion or they may even save your life. However, do not cross them it is likely you will not out wit a fox.

Illustration “Twilight in Fox Hollow” provided by and Copyright Art By Sarada. To see more of V.Sarada Holts art and where to buy, visit her artist page Art By Sarada.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Featured Artist Interview February 2016: Grayson Fogg

To find where Grayson Fogg sells his wares visit him artist page on HAB. 

Interview with Grayson Fogg of The Autumnlands:

At what age did you discover your love of Halloween?

Very early on. At seven years old I remember absolutely loving a Halloween song our class sang close to Halloween…and not understanding why we couldn’t keep singing it the rest of the year. On a similar note, people seemed puzzled that I drew skeletons and black cats and pumpkins all year round, when for me it was perfectly natural.

What is your fondest Halloween memory?

That’s a toughie. I’ll go with what is probably a common answer–I can’t pick just one. But stand-outs include going to the pumpkin patch every year, where they had a “haunted” haystack tunnel complete with spooky sounds on a poorly-hidden cassette player, and a yearly scarecrow contest. There’s just nothing compared to going to a real pumpkin patch to pick out your own pumpkin, especially when the weather cooperates and it’s cool and overcast, with that damp-earth-and-decomposing-leaves smell of fall in the air.

Then there was the time a friend’s dad drove us way out in the boonies–literally following a waving searchlight to an isolated old house in the middle of acres of empty land, where we stood in line outside a charity haunted house built not in a school cafeteria or a strip mall space, but in AN ACTUAL, SPOOKY OLD HOUSE! There was a cemetery outside, and scary sounds and music over loudspeakers to get everyone in the mood (and challenge our nerves).

And for sheer childhood, Halloween joy, you can’t beat riding around on your bike IN COSTUME the afternoon of the big night, feeling the crisp wind in your crepe hair (or streaming bandages, or usually ill-fitting clothes, or over your crudely-made-up skin), anxious for Trick-or-Treating to start but not wanting it to ever end…

How do you celebrate Halloween?

Sadly, these days Halloween has largely been taken away from me. My wife and I were forced to move to a neighborhood that shuns the holiday, so all the yard decorating and dressing up and passing out candy is a thing of the past. We at least try to visit the pumpkin patch and one or two haunted houses every year, but I miss the old days, really being involved with the season. It was always fun trying to make the yard display spooky enough for the adults but not too scary for the kids.

When did you start creating in your medium and what training have you had?

As with my “old” career (writing and illustrating comics, under my real name, Richard Moore) I have zero training. I was once called “un-
teachable”, so that may be part of it, though hopefully I’m not nearly so headstrong these days. Oddly enough, even though I loved drawing and doing Halloween-oriented crafts as a child, it never occurred to me that it was possible to do that for a living. Then I stumbled across Scott Smith’s amazing work, and discovered that there were people out there calling themselves Halloween artists. It was one of those forehead-smacking moments–why didn’t I think of that? So when I left comics a few years back, I decided to give it a try. I’ve been experimenting with various media ever since. Someday I’ll figure out what I’m doing.

What was the inspiration to create what you create and when did you know you wanted to create Halloween?

I’ve always had some trouble giving myself “permission” to create what I like; I struggle with the impulse to please, to tailor my work to garner approval. I suppose all artists do to a certain extent, but ultimately you have to develop your own voice. With the Halloween art, I wasn’t comfortable taking the plunge and indulging that part of myself until I formed the concept of The Autumnlands–that there’s this place, this parallel world, where all our images of Halloween come from–and felt that I could truly contribute to the tradition and the common experience of Halloween. I’m also working on several children’s books and illustrated YA novels set in that world. I’d be thrilled if I could create something as profoundly attached to the season and fondly thought-of as Ray Bradbury’s work or It’s The Great Pumpkin, Charlie Brown. That would be amazing.
—————————–
R.M./G.F.

Valentines 2016

 

  Happy Valentines Day 2016!

Looking for unique Valentines and dark art? Search HAB Valentine on Etsy, visit HAB artist websites and find handmade Halloween, holiday art and curiosities year round through the HAB shopping catalog!

Yuletide Un-Merriment

Yuletide Un-Merriment

By Intricate Knot

“Yule is Quite Yuling…
It’s the Most Magickal Time of the Year!
When good goats go jingle belling,
Sam Sammy goes a caroling,
Most everyone is Mel-mellowing to cheer a fine bee…


It’s the Most Magickal Time of the Year!
All hearts are gold-golden,
Parties are toast-toasting,
Ghost stories tell-telling,
It’s the Most Magickal Time of the Year!”
~Intricate Knot

His thin lips and large muddy green ears curled in displeasure at the sounds he heard. This isn’t the way things were supposed to be going.

“What happened?” Diavex shouted. His voice, irritatingly and unexpectedly high-pitched for so large a beast, reverberated throughout the cave.
Besides himself, the only one within hearing distance is Crimson the Winter Wizard. Not a welcomed guest by the stretch of anyone’s imagination (even this Storyteller’s)! He sat on a hard, ugly, dull grey bench. So entirely ugly and dull that next to it concrete looks like the finest polished silver. Remarkably the discomfort of the bench is far outweighed by the fact that it’s located in a distressingly uncomfortable fire cage[*].

Diavex turned to Crimson,

“Well?”

“And how would I know?” Crimson rasped weakly. Though he exaggerated his condition, the truth is, Winter Wizards do not care for fire cages. Winter Wizards do not care for fire period.

“What if I tell you something first?”

“Why would you do that?”
His captor smiled. What a conniving, dark-hearted smile!

“It suits me, of course.”
Crimson looked up at Diavex,

“In case you hadn’t noticed, I’m stuck in this place of despair with only you as a companion. I have no idea what is going on, nor do I even know what you’re referring to.” When Diavex opened his ill-favored mouth to speak, Crimson held up a hand, “And even if I had an inkling, you know very well that I would tell you nothing. Let’s at least have honesty.”
He shrugged then his lips curled into a disgusting smirk,

“Would you like to know how I created this fire cage?”

“I’ll take a wild guess: You used fire.”

“Yes, of course. But in this case, I used very special fire. You’ve heard of the Brightly-Burning Yuletide Candle[†]?”

Crimson’s winter heart sank though he refused to let on,

“Vaguely.”

“Excellent. Then you’ll be delighted to know that I created this particular fire cage by yanking out the white flame from your precious candle.”
Are you serious? Diavex stole the white flame[‡]! No wonder he had sway over Crimson’s personage!

“‘Delighted’ isn’t the word coming to mind.”

“Don’t be silly. Of course I know this is devastating news to you. I simply cannot wait to share these joyous tidings with your friends. Won’t they be surprised?”

Being a Wizard has advantages that arrogant lunk-headed power-mongers like Diavex wouldn’t know anything about. Creatures of the lunk-headed variety don’t seem to realize that the pitfall of believing that you already know everything is exactly what prevents you from ever learning anything. Everyone knows that Wizards can tune in to whoever they wish and see clearly whatever that person (or persons) is doing. But did you know that Wizards can also send thoughts and pictures to whomever they so choose? Just keep that in mind if you ever think about kidnapping one.

Crimson sat in his painful prison and smiled imperceptibly. This was his moment. Diavex had handed him the information he wanted to send. Of course Crimson knew what was going on in The Forest and silently (very silently, if there is such a thing!) he cheered his favored Magickal student Fiddler and his best pal Wilbur.

The Wizard’s silence gave Diavex his version of the heebie jeebies. Of course, he didn’t like this one bit. In a strangely graceful motion he stepped closer to the Wizard, whispering,

“You”

Step,

“know”

Closer.

“something.”

He leapt at the fire cage shrieking,

“Tell me!”

Shattering glass is music compared to Diavex’s shriek, which can curdle cream, start earthquakes, and crack the skull of the un-Magickal sort. Fortunately Crimson is of the Magickal sort; however, that doesn’t mean he’s immune. Without ceremony, he promptly passed out.

Elsewhere…

Mid-kitty leap, Fiddler cried out in pain and crumpled to the ground. In agony, both Wilbur and Vin Kaj dropped to their knees next to their friend. The unspeakably hideous noise passed quickly. Thank goodness!

Wilbur and Fiddler glanced at one another. They both knew something else. Just before Diavex’s shriek had reached their ears, they had received a distinct image from Crimson.

“Seems that Diavex may have discovered what we’re up to,” Wilbur puffed.

“You think?” Vin asked.

Fiddler smiled, though his ears still rung painfully,

“Guess we better hurry.”

“Look, it will be faster if you two climb on my back again,” and Vin, Autumn Pumpkin Wizard Extraordinaire, offered his viney hands to our heroes: the sleek, jet coated kitty Fiddler and the coal feathered, owly-raven Wilbur. The two friends exchanged a glance. Their last ride on Vin’s back had nearly ended in them becoming a Great Oak pancake! But the Autumn Wizard was quite right, due to his great size and the length of the viney legs that stretched out from his pumpkin body, he is simply faster.

Onboard they climbed and off they went. They arrived even quicker than anticipated! Hooray for long, viney legs!

They dropped down from Vin’s shoulders and made the buzziest-beeline for Yuletime Square. Yuletime Square is a large, but somehow cozy cobblestone courtyard where inhabitants of the Forest gather during various celebrations, particularly wintery ones. On snowy days a huge bonfire is set on one side of the courtyard, opposite a circle of particularly tall pines called The Proud Pines, and in the middle is where the tallest of these the most Fantastical, Mystical, Magickal Old Pine stands. Normally at this time of the year the cobblestoned Yuletime Square is bustling with scads of holiday decked out celebrants. Sadly, because of the unseasonably hot weather only a few woodland creatures meandered about the square, fanning themselves with large leaf fans or drinking from giant glasses of sweet iced tea. This doesn’t exactly put you in the most holidayish moods!

How would they get everyone to gather here? They need everyone, quite literally everyone in The Forest to participate to even have a chance of saving Yule. Our heroes stood in the very center of the square (and yes, squares do have centers) and made a Magickal Call[§].

The first to arrive is their good buddy Fizzy Frazelli, the Italian foxy-fox and her newly named best friend the beautiful (and frightful) Glassy Croon. In the blink of an eye (a very slow blinking eye) all the woodland creatures, faeries, and every member of the Great Holiday Making Tribe assembled. In the center of the amazing circle of towering Proud Pines, Fiddler addressed the group,

“Good friends, we have urgent news. Our Yuletide holiday plan needs to be grander, louder, merrier, and brighter than ever before. We cannot wait for the weather to change. Crimson is in trouble.”

“And so are we, dear creatures,” Wilbur added.
Vin Kaj nodded,

“All the holidays are threatened if we don’t take action[**].”

Because of the capture of Crimson the great Winter Wizard, though the calendar said it was December you wouldn’t know it by the weather! It felt like high summertime and sweat bloomed on many a brow. This isn’t the way it’s supposed to be. No nip in the air! No snow on the ground! Although it certainly didn’t seem like Yule, not one gripe or even a peep of complaint was heard from squirrel, red, lavender, green, or blue faerie, frog, imp, bunny, elf, bear, chick, wolf, robin, or deer. Even the trolls, normally the grumbliest of the grumblers, immediately began hanging the fairest of faerie lights and most glittery of garlands, humming carols all the while. In their own troll-esque of ways that is, which means they were quite off key, but no one let it bother them. Who had time to be bothered? All the creatures were too busy, speed set on hyper drive! Long tables were set up, where dozens of celebrants sat stringing popcorn and deeply red berries or cutting out colored paper in various shapes of stars and circles. Others dusted glitter on the cutouts and some made paper chains. Trees were decorated with their creations, while faeries flit hither and yon hanging delicate, sparkling glass baubles and bulbs on every tree branch and bow.

In the kitchens, Fizzy took charge of the baking. For what are the holidays without cookies, candies, and cakes to dazzle and delight? The scent of the divine desserts traveled to every nook and brook, granny and cranny of The Forest. Big white canopies were put up and more grand tables were set out and piled high with a wondrous array of tempting temptations. Glittery paper stars and snowflakes were hung with ribbons up on the ceiling of the tent giving the entire space a lovely shimmering glow. Mountains of treats could now be seen by all and many found a reason (mostly a chocolate sprinkled reason) to stop by the tent. Cookies, creams, and bars, oh my!

And all the while carolers caroled, led by Glassy Croon herself. No one had ever forgotten what a sweet singing voice she possessed. Now she used her Siren’s voice for good and what is a happier sound than voices joined together harmonizing about peace and goodwill?

The great Springtime Bunny Aloysius had a theory on that and decided to put it to a test. Loy, as he is known to his good friends Fiddler and Wilbur, gathered all the young children lucky enough to live in or nearby The Forest and organized games for them to play. Their squeals and giggles could be heard throughout the Forest. Nothing sounds happier than carols, except the laughter of young children.

Of course, fear lay beneath their folly, but no one, not a one of them let the fear overcome them for that would have been playing straight into Diavex Clop’s grubby, gnarled and clawed hands. And who but a coo-coo crazy creature would give a manically mad monster what he most desired? Remember dear Reader, fear is always the most desired of commodities by the lunk-heads, lunatics, monsters, and mad men, but it always within your power to not give it to them.

Back at Diavex’s Lair…

Diavex howled in frustration. He could nearly feel the Good Cheer rising in the air around them and it bubbled and boiled his icky, poisonous, green blood. How dare they snub their noses at him in this blatant manner! It’s as if they weren’t frightened at all.

“How can that be?” He screeched.
Unable to resist, Crimson stated proudly,

“Because, you small-minded, egotistical, lunk-headed beast, the holiday must go on.”

“No, no, no!”

“Say ‘no’ all you like. It changes nothing.”
Diavex fell silent, until an evil gleam grew in his eyes.

“We’ll see about that.”

Yuletime Square…

Abruptly, all merriment ceased and a hard knot formed in every woodland creature’s stomach. Fizzy reached out grabbed Fiddler’s paw,

“What is happening?”

“Fire, Crimson,” Fiddler whispered in horror.
Vin stepped up to them, his great voice booming throughout the square,

“He’s actually trying to torch Crimson?”

“Yes,” Wilbur answered. “But not with any old fire.”

“The White Flame? But how is that possible?” Asked Fizzy.
Everyone hung on every word just now. Their entire world seemed to hang in the balance.
Vin rubbed at his pumpkin chin,

“Well, it is possible to separate the White from the Red and Gold and Green and Blue. Not easy, but possible.”

They all turned to look at the Brightly-Burning Yuletide Candle. It stood in their midst this entire time. No one had noticed it was missing white. It looked as beautiful as always, well, nearly so. If one looked closely, as everyone did right now, you could just about tell that the White Flame was indeed missing.

“You know, all we need to do is get this candle to wherever Diavex is holding it captive along with Crimson,” Wilbur began.

Fiddler clapped his paws together,

“Of course! That is what Crimson was trying to tell us. We will get the candle there, wherever ‘there’ is, and the White Flame will do the rest.”

“It will be naturally drawn back into the Brightly-Burning Yuletide Candle and away from Crimson.”

“If only we knew where ‘there’ is!” Fizzy said in frustration.

“Actually,” Vin interjected, “The Candle can lead you. You see, the flames want to be together.”

“Yes!” Fiddler turned to Wilbur. “You’ll fly us and the Candle will lead the way.”

Back at Diavex’s Lair…

Inky black smoke curled and oozed from Diavex’s fingertips. Tendrils of the sickly smoke twined around the bars of the fire cage where Crimson sat imprisoned. The White Flame and Crimson fought back pushing outwards, while Diavex’s smoke slyly coiled around each white-hot bar and pressed inward. Already the cage had begun to shrink. Worst of all, Crimson was tiring.

A Winter Wizard is simply not his best while surrounded by heat and flame.

Yuletime Square…

“What?? Me? Fly??” Wilbur sputtered.

Though his kitty-heart beat faster with nerves, he kept his voice soothing and matter-a-fact, “Yes, of course you, who else can do it?”
Fizzy and Glassy both picked up on Fiddler’s cue,
“A most excellent plan,” Glassy sang.
Fizzy clasped her paws together,

“Would you boys like a sandwich or two for the journey? Or how about some cookies?”

“Have you all lost your minds, all at once? This must be some kind of event, a Guinness Book of World Records event!” Incredulous, Wilbur seemed to pale, which is quite difficult for an owly-raven to do.

“We haven’t lost our minds, Wilbur. We need speed,” Vin said mildly.

“But you’re fast, Vin Kaj. Faster than anyone, ever,” Wilbur countered.

Fiddler laid a gentle paw on Wilbur’s shoulder,

“Yes, he is faster than anyone, except you, my friend. The longer we debate, the more we risk.”

Wilbur looked out over the sea of expectant faces. He wanted to help to help save the day. It’s what he loved to do best. And sure, he wanted to fly, didn’t he? No he didn’t! He didn’t want to fly at all. Flying entailed concentration, intense concentration. And it was lonely. He had to do it all by himself, didn’t he? Even if his pal Fiddler was with him along for the ride, he would be the one responsible. It would be up to him. And it would mean being up in the air. All the way up there! Where the air is thin and everything looked so tiny here on the ground. And he wasn’t the same up there. He felt lighter and, and untethered. Untethered. That’s without tether. Yikes. And what if his wings refused to work? It had happened before. Too long ago to even remember it what happened. Besides there wasn’t time to get into all that right now. Wilbur could actually feel the panic rising up in his throat. He wanted to scream in terror and run away. Yikes. Yikes. Yikes.

You may be wondering…how can a bird be afraid of his own wings? How is that possible? Stranger fears are made each and every day, dear Reader. Sometimes telling stories is the scariest thing I face and I’m a Storyteller, for Good Forest’s sake!

Everyone was waiting expectantly. He had to say something.
“But, I haven’t flown in years. Years, Fiddler! Decades, centuries.”
“I know, Wilbur. Believe me, I know. And please believe me that I would not ask this of you if it wasn’t the only way. He will never expect.”
“He’ll never expect it? I’ll never expect it! And where do you purpose we began this flight?”
Hmm…it is true, even the hardiest of birds cannot just take off with a rider on their back. They’re not helicopters, you know! A runway of sorts is necessary. Fiddler knew the perfect spot,
“The Cliff’s End, of course.”
“Why, yes. It’s all so obvious now. We’ll just jump off the cliff, not die, and we really need to remember that bit, because the rest of this “plan” hinges on the not dying part, fly to wherever Crimson and Diavex happen to be, hit Diavex over the head with the Brightly-Burning Yuletide Candle, save Crimson, then we’ll all come back here and eat cookies.”
Vin clapped his hands,

“Sounds good to me!”

“Okay, we’ll just go about this logically in true Wilbur fashion.” Fiddler turned to the assemblage, “Tell me everyone, what are faster: Vin Kaj’s viney pumpkin legs, or black, beating owly-raven wings?”
Wilbur grumbled,

“Well, when you put it that way.”
In unison the entire group of creatures, beasts, fairies, elves, rabbits, chipmunks, butterflies, and trolls whooped,

“Wilbur!”
Still grumbling,

“Oh sure, single me out why don’t you?”
Fiddler gave a kitty paw-pump,

“Yes, that’s exactly what we’re doing: singling you out. Now come on Wilbur, stop stalling and let’s fly.”
And with that the group gathered both Wilbur and Fiddler up onto their shoulders and carried them both to the Cliff’s End. Then everyone waited to see what would happen next.
Wilbur merely walked to the edge and looked down.

“It’s a long-”
Fiddler interrupted cheerfully,

“It surely is!”

“And you’re certain-”

“I couldn’t be more so.”

With a huge, grand sigh (a sound that only the Wilburs of the world can make with any real justice) he stood as straight as he could and stretched out his magnificent, great ebony wings.

“Climb aboard, I suppose.”

Not risking a moment more Fiddler lightly leapt up on Wilbur’s back. Vin Kaj grabbed the Brightly-Burning Yuletide Candle and handing it to Fiddler,

“Best of luck to you, lads.”

Fiddler held on tightly to the beauteous candle. It seemed to want to pull them forward and immediately pointed West.

“If we crash, I’m blaming you, you know.”
“Yes, yes, of course. Let’s go.”

I’ll admit it, they got off to a shaky start. But after dropping for a hundred feet or so (and with much gasping of the crowd standing up on the cliff above), Wilbur seemed to get back into the swing of flying.

And yes, of course they saved the day. As it turns out, the most important day of year and the crown jewel of holidays: Yule. Unfortunately, Fiddler and Wilbur didn’t get a chance to hit Diavex over the head with the Brightly-Burning Yuletide Candle. In the way of lunk-headed bullies, as soon as he saw them coming he ran away. I’m sure he’ll turn up again one day. But not today. Today is for celebrating with friends and family.

Whatever your celebration or even if it’s a day of non-celebration, one cannot completely dismiss the specialness of this time of the year. It’s a time for miracles and Magick, but most of all it is a time of joy and love. Regardless whether it’s cool and crisp or hot and humid, can’t you just feel it in the air?

A Very Merry Yule to you all and to you all a very kindly goodnight.

[*] If you’ve never experienced a fire cage, count yourself lucky. As implied by the name, fire cages are made of fire. Not just any fire, but white-hot fire: Flames so flaming hot that they reflect white, rather than gold, orange, red, or even blue.

[†] The Brightly-Burning Yuletide Candle is made up of five great flames: Red, Gold, Green, Blue, and White. Most notably the Brightly-Burning Yuletide Candle is what lights the way for the holiday. Oh, you didn’t know that? If you think on it a minute, perhaps two, it’s quite logical. Even if you celebrate the same holiday every year, you still need to find your way to it. Suppose you lose your way?

[‡] Stealing the white flame from a candle meant for good cheer and merriment, and then using it to control a Winter Wizard? How evil is that? Evil enough to be called evil by this Storyteller.

[§] Well, they don’t have cell or email service in The Forest. The woodland creatures tend toward good old fashioned face-to-face conversation; however, there are times when the Great Holiday Making Tribe must communicate with one another quickly. And this was most certainly one of those times!

[**] The way it works is that every year Yule is celebrated. After Yule comes the New Year. And after that? Well, certainly you must know the rest of the holidays! The point is: if Yule isn’t celebrated (or “You’ll” depending on how you celebrate) it doesn’t take an expert in Time to know that the New Year cannot happen. And of course without the New Year, we cannot have any of the rest of the holidays, now can we?

Intricate Knot is proprietor of Art For A Gloomy Day.Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next season for more adventures of Fiddler the cat and his best pal Wilbur.

 

The Origins of the Christmas Elf

Origins of the Christmas Elf-By Angelique Duncan

Legends, traditions and stories about elves have existed for centuries. They find their first mentions in Norse, Scandinavian and Celtic folklore. However the Elves and their associations with the Christmas season is a fairly recent holiday tradition, becoming part of our popular contemporary culture of the United States only within the late nineteenth century.

As with many of the lost magical races; the Elves have shared traits and qualities that mingle with and confused with other enchanted species. Depending on the region and type of Elf, their descriptions and purposes vary. The imagery of Elves range from older bearded men to young and hairless, some have said they have eyes that glow when it is dark and some say they have one eye like that of a Cyclops. Consistently they are described as having pointed ears and being of small stature. Some legends say they are shape shifters and even capable of becoming invisible.

They are believed to be supernatural in their powers and capable of magic. Some believe that nature Elves have unique youthful beauty with slender bodies and narrow features. It is believed that Elves are ambivalent towards humans and may choose to help, sabotage or ignore them upon their whim. Most mythologies consistently tell of Elves as protectors against evil who guard over innocence, such as small children and animals and often bearing gifts.

In Scandinavian folklore the Elves are known as Tomte, Nisse, Tomtenisse and are often confused with gnomes. They are said to have long white beards, wear comfortable clothing or tunics and most always have a hat, usually of bright red or blue that is pointed or knitted. They are said to have pointed ears and eyes that can reflect light giving the illusion of glowing eyes. At tallest, reports say that they stand 3 feet, while some say they are of the same description but not more than 5 inches tall with smooth hairless faces and big round eyes, with four fingers

It is said that like gnomes or brownies that the Tomte live in barns or in hidden places within a homestead acting as a guardian over the home. They protect small livestock, pets and the children from any evil that may try to enter the family home. It was widely believed that the Tomte or House Elves are spirits of relatives who returned to help guide their family, some saying that they are the collective spirits of ones ancestors embodied as one small being as a reminder you are being watched over and protected.

When treated with dignity and respect they will help around the house and yard bring good fortune. It is customary to leave a bowl of buttered porridge out for ones Tomte as a sign of appreciation. Also it is common etiquette to always give warning when something is spilled or fallen to “look out below” to the Tomte as so they won’t get hit or spilled upon. The Tomte reward their family with small gifts if they were considered worthy in virtue.

Tomte are offended by ill behavior such as swearing, laziness, crass or lewd humor and tackiness. They do not accept gossip or lies and absolutely will not tolerate disrespect or harm to animals. To do so results in retaliation. If witnessed by a Tomte or Elf he will fight to defend the animal. Many believed that a bite from a Tomte is poisonous and results in going mad and that the only method to heal such a wound is from a magical healing source.

Many would keep a small figurine or statue of a Tomte or Elf on their mantle or bookshelf to remind the household that their ancestors were watching and to invite the spirits or relatives in. However after the rise of Christianity the practice of leaving invitation to the spirits of deceased ancestors became frowned upon. The figurines were seen as keeping false idols and an invitation to the devils spirit. People began hiding the Tomte or abandoning them all together for fear of persecution. Some say that the Tomte and Elves went into hiding during this era, abandoning their homesteads and human families.

The Tomte were associated with the Winter Solstice and became the Swedish and Norwegian equivalent of Santa Claus. The Tomte were depicted often with or riding a pig or goat. The pig was considered a symbol of fertility and good luck and the goat was the Tomtes predecessor to the Yule holiday, known as The Yule Goat. Tradition had it that the Yule Goat would knock on doors delivering presents. It is thought that the Christmas gift bearing Tomte combined the two mythologies to preserve Pagan folklore of the ancestral spirits visiting the home.

Around the 1840’s in Denmark the Tomte or Nisse Elves took on the name of Julenisse, a singular Elf-gnome like creature who is said to live in a forest and comes riding a goat door to door to deliver gifts at Christmas. With the rise of the Santa Claus tradition, Julenisse eventually replaced the Yule Goat and took on a more Santa like appearance in his depiction. Following with the tradition of the Tomte, it is customary to leave a bowl of porridge for Julenisse in gratitude for his gifts.

It was during the Victorian era that Elves became associated with Christmas in the USA, the United Kingdome and Canada. In the poem A Visit from St. Nicholas written by Clement Clarke Moore, St. Nicholas is referenced as an Elf. St. Nicholas gradually was replaced in popular culture by the jolly image of Santa Claus and there after Elves became popular in Christmas literature and imagery. The legends arose out the many stories and folklores of the existence of magical Christmas Elves that lived at the North Pole. They are usually described as very dainty with pointed ears and clad in green. The magical Christmas Elves are said to live in Santa’s workshop as toy builders. They tend to Santa’s flying reindeer, bake, and over see all things Christmas through out the year until Christmas Eve when the toys are delivered by Santa.

So perhaps the Elves find their place in Christmas through literature and fairy tales as the stuff of myth. Or maybe they are the spirits of our ancestors who try to protect us, unseen. The Elves, as we call them, seemed to have evolved from the Scandinavian Tomte traditions of long ago to find their way into popular European and American holiday culture.

There are those however, who believe that the Elves are real and still here, just in hiding. Studies done in Iceland in the last decade by the University of Iceland’s Faculty of Social Sciences reveal that overwhelming as a nation, the Icelanders believe that ghost are among us and that the Elves, known as the huldufolk or hidden folk, roam the country side, hiding in rocks and caves safely obscured to most humans.
Perhaps they are still here and maybe once a year on a cold winters night they return to check on us. When you leave out the plate of cookies and milk for Santa Claus set out a little bowl of porridge with butter, just in case to invite them in and let them know you still believe.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Featured Artist Interview December 2015: Chad Savage

To find where Chad Savage sells his wares visit him artist page on HAB. 

Interview with Chad Savage of Sinister Visions:

At what age did you discover your love of Halloween?

I’m quite comfortable claiming that I didn’t discover my love of Halloween so much as it was always innately in me. It’s been my favorite thing in the world, quite literally, as long as I can remember. My family celebrated it and decorated for it during October, but I wanted it all year long.

What is your fondest Halloween memory?

Halloween 1977. I was Luke Skywalker, my aunt was on our front porch as a witch with a “boiling cauldron” of hot apple cider, my dad was a ghost who shepherded us kids while we went trick or treating (he would just stand in the street, covered with a white sheet and wearing sunglasses so you couldn’t see his eyes, and stare into the open door – very unsettling to the folks handing out candy!). Everybody decorated, some houses had set up make-shift haunted yards and garages – the whole neighborhood enthusiastically participated. It was the kind of Halloween you seen in movies now.

How do you celebrate Halloween?

On a base level, I celebrate it all year – I am surrounded by jack o’lanterns made of rubber, plastic, clay, metal and more in my office, and both of my arms are sleeved in Halloween-related tattoos. In late September we decorate the house and yard. During September and October we go to as many Halloween and Autumn themed occasions, parties and events as we can. Haunted houses, too. On Halloween night up until this past year I took my daughter trick or treating, dressing up myself as something scary enough to make people cross the street rather than walk past me on the sidewalk. This last year, however, my daughter decided she was too old to trick or treat, and the weather was awful, so we stayed in to hand out candy to trick or treaters who never really showed up and watched Halloween-themed movies. Kind of a let down, really. We’ll have to think of something more exciting for 2015*…

*Interview conducted pre October 2015-hope Chad and his daughter got to do something really cool!

When did you start creating in your medium and what training have you had?

I come from an artistic family on my father’s side and have been drawing and painting since I was old enough to hold a pencil. I have a BFA degree in illustration and graphic design.

What was the inspiration to create what you create and when did you know you wanted to create Halloween?

Monsters and spooky things have always informed my artwork, even when I was a kid. My full time job now is creating marketing materials, branding and websites for haunted attractions and horror/Halloween-themed businesses, so my life on a daily basis is inspirational when it comes to creating Halloween art!

Christmas Spider Art Event

Halloween Artist Bazaar Christmas Spider Art Event

Participating members of Halloween Artist Bazaar have created special edition Christmas Spiders to celebrate The Legend of the Christmas Spider. One of our cultures most common holiday customs comes from a very old German and Ukrainian legend of one of the tiniest and misunderstood of creatures. The tradition of covering ones holiday tree in shiny sparkly tinsel originates from the Legend of the Christmas Spider. There are different versions of the legend however the root of the story is mostly the same across cultures. To read more about The Legend of the Christmas Spider…