Yuletide Un-Merriment

Yuletide Un-Merriment

By Intricate Knot

“Yule is Quite Yuling…
It’s the Most Magickal Time of the Year!
When good goats go jingle belling,
Sam Sammy goes a caroling,
Most everyone is Mel-mellowing to cheer a fine bee…


It’s the Most Magickal Time of the Year!
All hearts are gold-golden,
Parties are toast-toasting,
Ghost stories tell-telling,
It’s the Most Magickal Time of the Year!”
~Intricate Knot

His thin lips and large muddy green ears curled in displeasure at the sounds he heard. This isn’t the way things were supposed to be going.

“What happened?” Diavex shouted. His voice, irritatingly and unexpectedly high-pitched for so large a beast, reverberated throughout the cave.
Besides himself, the only one within hearing distance is Crimson the Winter Wizard. Not a welcomed guest by the stretch of anyone’s imagination (even this Storyteller’s)! He sat on a hard, ugly, dull grey bench. So entirely ugly and dull that next to it concrete looks like the finest polished silver. Remarkably the discomfort of the bench is far outweighed by the fact that it’s located in a distressingly uncomfortable fire cage[*].

Diavex turned to Crimson,

“Well?”

“And how would I know?” Crimson rasped weakly. Though he exaggerated his condition, the truth is, Winter Wizards do not care for fire cages. Winter Wizards do not care for fire period.

“What if I tell you something first?”

“Why would you do that?”
His captor smiled. What a conniving, dark-hearted smile!

“It suits me, of course.”
Crimson looked up at Diavex,

“In case you hadn’t noticed, I’m stuck in this place of despair with only you as a companion. I have no idea what is going on, nor do I even know what you’re referring to.” When Diavex opened his ill-favored mouth to speak, Crimson held up a hand, “And even if I had an inkling, you know very well that I would tell you nothing. Let’s at least have honesty.”
He shrugged then his lips curled into a disgusting smirk,

“Would you like to know how I created this fire cage?”

“I’ll take a wild guess: You used fire.”

“Yes, of course. But in this case, I used very special fire. You’ve heard of the Brightly-Burning Yuletide Candle[†]?”

Crimson’s winter heart sank though he refused to let on,

“Vaguely.”

“Excellent. Then you’ll be delighted to know that I created this particular fire cage by yanking out the white flame from your precious candle.”
Are you serious? Diavex stole the white flame[‡]! No wonder he had sway over Crimson’s personage!

“‘Delighted’ isn’t the word coming to mind.”

“Don’t be silly. Of course I know this is devastating news to you. I simply cannot wait to share these joyous tidings with your friends. Won’t they be surprised?”

Being a Wizard has advantages that arrogant lunk-headed power-mongers like Diavex wouldn’t know anything about. Creatures of the lunk-headed variety don’t seem to realize that the pitfall of believing that you already know everything is exactly what prevents you from ever learning anything. Everyone knows that Wizards can tune in to whoever they wish and see clearly whatever that person (or persons) is doing. But did you know that Wizards can also send thoughts and pictures to whomever they so choose? Just keep that in mind if you ever think about kidnapping one.

Crimson sat in his painful prison and smiled imperceptibly. This was his moment. Diavex had handed him the information he wanted to send. Of course Crimson knew what was going on in The Forest and silently (very silently, if there is such a thing!) he cheered his favored Magickal student Fiddler and his best pal Wilbur.

The Wizard’s silence gave Diavex his version of the heebie jeebies. Of course, he didn’t like this one bit. In a strangely graceful motion he stepped closer to the Wizard, whispering,

“You”

Step,

“know”

Closer.

“something.”

He leapt at the fire cage shrieking,

“Tell me!”

Shattering glass is music compared to Diavex’s shriek, which can curdle cream, start earthquakes, and crack the skull of the un-Magickal sort. Fortunately Crimson is of the Magickal sort; however, that doesn’t mean he’s immune. Without ceremony, he promptly passed out.

Elsewhere…

Mid-kitty leap, Fiddler cried out in pain and crumpled to the ground. In agony, both Wilbur and Vin Kaj dropped to their knees next to their friend. The unspeakably hideous noise passed quickly. Thank goodness!

Wilbur and Fiddler glanced at one another. They both knew something else. Just before Diavex’s shriek had reached their ears, they had received a distinct image from Crimson.

“Seems that Diavex may have discovered what we’re up to,” Wilbur puffed.

“You think?” Vin asked.

Fiddler smiled, though his ears still rung painfully,

“Guess we better hurry.”

“Look, it will be faster if you two climb on my back again,” and Vin, Autumn Pumpkin Wizard Extraordinaire, offered his viney hands to our heroes: the sleek, jet coated kitty Fiddler and the coal feathered, owly-raven Wilbur. The two friends exchanged a glance. Their last ride on Vin’s back had nearly ended in them becoming a Great Oak pancake! But the Autumn Wizard was quite right, due to his great size and the length of the viney legs that stretched out from his pumpkin body, he is simply faster.

Onboard they climbed and off they went. They arrived even quicker than anticipated! Hooray for long, viney legs!

They dropped down from Vin’s shoulders and made the buzziest-beeline for Yuletime Square. Yuletime Square is a large, but somehow cozy cobblestone courtyard where inhabitants of the Forest gather during various celebrations, particularly wintery ones. On snowy days a huge bonfire is set on one side of the courtyard, opposite a circle of particularly tall pines called The Proud Pines, and in the middle is where the tallest of these the most Fantastical, Mystical, Magickal Old Pine stands. Normally at this time of the year the cobblestoned Yuletime Square is bustling with scads of holiday decked out celebrants. Sadly, because of the unseasonably hot weather only a few woodland creatures meandered about the square, fanning themselves with large leaf fans or drinking from giant glasses of sweet iced tea. This doesn’t exactly put you in the most holidayish moods!

How would they get everyone to gather here? They need everyone, quite literally everyone in The Forest to participate to even have a chance of saving Yule. Our heroes stood in the very center of the square (and yes, squares do have centers) and made a Magickal Call[§].

The first to arrive is their good buddy Fizzy Frazelli, the Italian foxy-fox and her newly named best friend the beautiful (and frightful) Glassy Croon. In the blink of an eye (a very slow blinking eye) all the woodland creatures, faeries, and every member of the Great Holiday Making Tribe assembled. In the center of the amazing circle of towering Proud Pines, Fiddler addressed the group,

“Good friends, we have urgent news. Our Yuletide holiday plan needs to be grander, louder, merrier, and brighter than ever before. We cannot wait for the weather to change. Crimson is in trouble.”

“And so are we, dear creatures,” Wilbur added.
Vin Kaj nodded,

“All the holidays are threatened if we don’t take action[**].”

Because of the capture of Crimson the great Winter Wizard, though the calendar said it was December you wouldn’t know it by the weather! It felt like high summertime and sweat bloomed on many a brow. This isn’t the way it’s supposed to be. No nip in the air! No snow on the ground! Although it certainly didn’t seem like Yule, not one gripe or even a peep of complaint was heard from squirrel, red, lavender, green, or blue faerie, frog, imp, bunny, elf, bear, chick, wolf, robin, or deer. Even the trolls, normally the grumbliest of the grumblers, immediately began hanging the fairest of faerie lights and most glittery of garlands, humming carols all the while. In their own troll-esque of ways that is, which means they were quite off key, but no one let it bother them. Who had time to be bothered? All the creatures were too busy, speed set on hyper drive! Long tables were set up, where dozens of celebrants sat stringing popcorn and deeply red berries or cutting out colored paper in various shapes of stars and circles. Others dusted glitter on the cutouts and some made paper chains. Trees were decorated with their creations, while faeries flit hither and yon hanging delicate, sparkling glass baubles and bulbs on every tree branch and bow.

In the kitchens, Fizzy took charge of the baking. For what are the holidays without cookies, candies, and cakes to dazzle and delight? The scent of the divine desserts traveled to every nook and brook, granny and cranny of The Forest. Big white canopies were put up and more grand tables were set out and piled high with a wondrous array of tempting temptations. Glittery paper stars and snowflakes were hung with ribbons up on the ceiling of the tent giving the entire space a lovely shimmering glow. Mountains of treats could now be seen by all and many found a reason (mostly a chocolate sprinkled reason) to stop by the tent. Cookies, creams, and bars, oh my!

And all the while carolers caroled, led by Glassy Croon herself. No one had ever forgotten what a sweet singing voice she possessed. Now she used her Siren’s voice for good and what is a happier sound than voices joined together harmonizing about peace and goodwill?

The great Springtime Bunny Aloysius had a theory on that and decided to put it to a test. Loy, as he is known to his good friends Fiddler and Wilbur, gathered all the young children lucky enough to live in or nearby The Forest and organized games for them to play. Their squeals and giggles could be heard throughout the Forest. Nothing sounds happier than carols, except the laughter of young children.

Of course, fear lay beneath their folly, but no one, not a one of them let the fear overcome them for that would have been playing straight into Diavex Clop’s grubby, gnarled and clawed hands. And who but a coo-coo crazy creature would give a manically mad monster what he most desired? Remember dear Reader, fear is always the most desired of commodities by the lunk-heads, lunatics, monsters, and mad men, but it always within your power to not give it to them.

Back at Diavex’s Lair…

Diavex howled in frustration. He could nearly feel the Good Cheer rising in the air around them and it bubbled and boiled his icky, poisonous, green blood. How dare they snub their noses at him in this blatant manner! It’s as if they weren’t frightened at all.

“How can that be?” He screeched.
Unable to resist, Crimson stated proudly,

“Because, you small-minded, egotistical, lunk-headed beast, the holiday must go on.”

“No, no, no!”

“Say ‘no’ all you like. It changes nothing.”
Diavex fell silent, until an evil gleam grew in his eyes.

“We’ll see about that.”

Yuletime Square…

Abruptly, all merriment ceased and a hard knot formed in every woodland creature’s stomach. Fizzy reached out grabbed Fiddler’s paw,

“What is happening?”

“Fire, Crimson,” Fiddler whispered in horror.
Vin stepped up to them, his great voice booming throughout the square,

“He’s actually trying to torch Crimson?”

“Yes,” Wilbur answered. “But not with any old fire.”

“The White Flame? But how is that possible?” Asked Fizzy.
Everyone hung on every word just now. Their entire world seemed to hang in the balance.
Vin rubbed at his pumpkin chin,

“Well, it is possible to separate the White from the Red and Gold and Green and Blue. Not easy, but possible.”

They all turned to look at the Brightly-Burning Yuletide Candle. It stood in their midst this entire time. No one had noticed it was missing white. It looked as beautiful as always, well, nearly so. If one looked closely, as everyone did right now, you could just about tell that the White Flame was indeed missing.

“You know, all we need to do is get this candle to wherever Diavex is holding it captive along with Crimson,” Wilbur began.

Fiddler clapped his paws together,

“Of course! That is what Crimson was trying to tell us. We will get the candle there, wherever ‘there’ is, and the White Flame will do the rest.”

“It will be naturally drawn back into the Brightly-Burning Yuletide Candle and away from Crimson.”

“If only we knew where ‘there’ is!” Fizzy said in frustration.

“Actually,” Vin interjected, “The Candle can lead you. You see, the flames want to be together.”

“Yes!” Fiddler turned to Wilbur. “You’ll fly us and the Candle will lead the way.”

Back at Diavex’s Lair…

Inky black smoke curled and oozed from Diavex’s fingertips. Tendrils of the sickly smoke twined around the bars of the fire cage where Crimson sat imprisoned. The White Flame and Crimson fought back pushing outwards, while Diavex’s smoke slyly coiled around each white-hot bar and pressed inward. Already the cage had begun to shrink. Worst of all, Crimson was tiring.

A Winter Wizard is simply not his best while surrounded by heat and flame.

Yuletime Square…

“What?? Me? Fly??” Wilbur sputtered.

Though his kitty-heart beat faster with nerves, he kept his voice soothing and matter-a-fact, “Yes, of course you, who else can do it?”
Fizzy and Glassy both picked up on Fiddler’s cue,
“A most excellent plan,” Glassy sang.
Fizzy clasped her paws together,

“Would you boys like a sandwich or two for the journey? Or how about some cookies?”

“Have you all lost your minds, all at once? This must be some kind of event, a Guinness Book of World Records event!” Incredulous, Wilbur seemed to pale, which is quite difficult for an owly-raven to do.

“We haven’t lost our minds, Wilbur. We need speed,” Vin said mildly.

“But you’re fast, Vin Kaj. Faster than anyone, ever,” Wilbur countered.

Fiddler laid a gentle paw on Wilbur’s shoulder,

“Yes, he is faster than anyone, except you, my friend. The longer we debate, the more we risk.”

Wilbur looked out over the sea of expectant faces. He wanted to help to help save the day. It’s what he loved to do best. And sure, he wanted to fly, didn’t he? No he didn’t! He didn’t want to fly at all. Flying entailed concentration, intense concentration. And it was lonely. He had to do it all by himself, didn’t he? Even if his pal Fiddler was with him along for the ride, he would be the one responsible. It would be up to him. And it would mean being up in the air. All the way up there! Where the air is thin and everything looked so tiny here on the ground. And he wasn’t the same up there. He felt lighter and, and untethered. Untethered. That’s without tether. Yikes. And what if his wings refused to work? It had happened before. Too long ago to even remember it what happened. Besides there wasn’t time to get into all that right now. Wilbur could actually feel the panic rising up in his throat. He wanted to scream in terror and run away. Yikes. Yikes. Yikes.

You may be wondering…how can a bird be afraid of his own wings? How is that possible? Stranger fears are made each and every day, dear Reader. Sometimes telling stories is the scariest thing I face and I’m a Storyteller, for Good Forest’s sake!

Everyone was waiting expectantly. He had to say something.
“But, I haven’t flown in years. Years, Fiddler! Decades, centuries.”
“I know, Wilbur. Believe me, I know. And please believe me that I would not ask this of you if it wasn’t the only way. He will never expect.”
“He’ll never expect it? I’ll never expect it! And where do you purpose we began this flight?”
Hmm…it is true, even the hardiest of birds cannot just take off with a rider on their back. They’re not helicopters, you know! A runway of sorts is necessary. Fiddler knew the perfect spot,
“The Cliff’s End, of course.”
“Why, yes. It’s all so obvious now. We’ll just jump off the cliff, not die, and we really need to remember that bit, because the rest of this “plan” hinges on the not dying part, fly to wherever Crimson and Diavex happen to be, hit Diavex over the head with the Brightly-Burning Yuletide Candle, save Crimson, then we’ll all come back here and eat cookies.”
Vin clapped his hands,

“Sounds good to me!”

“Okay, we’ll just go about this logically in true Wilbur fashion.” Fiddler turned to the assemblage, “Tell me everyone, what are faster: Vin Kaj’s viney pumpkin legs, or black, beating owly-raven wings?”
Wilbur grumbled,

“Well, when you put it that way.”
In unison the entire group of creatures, beasts, fairies, elves, rabbits, chipmunks, butterflies, and trolls whooped,

“Wilbur!”
Still grumbling,

“Oh sure, single me out why don’t you?”
Fiddler gave a kitty paw-pump,

“Yes, that’s exactly what we’re doing: singling you out. Now come on Wilbur, stop stalling and let’s fly.”
And with that the group gathered both Wilbur and Fiddler up onto their shoulders and carried them both to the Cliff’s End. Then everyone waited to see what would happen next.
Wilbur merely walked to the edge and looked down.

“It’s a long-”
Fiddler interrupted cheerfully,

“It surely is!”

“And you’re certain-”

“I couldn’t be more so.”

With a huge, grand sigh (a sound that only the Wilburs of the world can make with any real justice) he stood as straight as he could and stretched out his magnificent, great ebony wings.

“Climb aboard, I suppose.”

Not risking a moment more Fiddler lightly leapt up on Wilbur’s back. Vin Kaj grabbed the Brightly-Burning Yuletide Candle and handing it to Fiddler,

“Best of luck to you, lads.”

Fiddler held on tightly to the beauteous candle. It seemed to want to pull them forward and immediately pointed West.

“If we crash, I’m blaming you, you know.”
“Yes, yes, of course. Let’s go.”

I’ll admit it, they got off to a shaky start. But after dropping for a hundred feet or so (and with much gasping of the crowd standing up on the cliff above), Wilbur seemed to get back into the swing of flying.

And yes, of course they saved the day. As it turns out, the most important day of year and the crown jewel of holidays: Yule. Unfortunately, Fiddler and Wilbur didn’t get a chance to hit Diavex over the head with the Brightly-Burning Yuletide Candle. In the way of lunk-headed bullies, as soon as he saw them coming he ran away. I’m sure he’ll turn up again one day. But not today. Today is for celebrating with friends and family.

Whatever your celebration or even if it’s a day of non-celebration, one cannot completely dismiss the specialness of this time of the year. It’s a time for miracles and Magick, but most of all it is a time of joy and love. Regardless whether it’s cool and crisp or hot and humid, can’t you just feel it in the air?

A Very Merry Yule to you all and to you all a very kindly goodnight.

[*] If you’ve never experienced a fire cage, count yourself lucky. As implied by the name, fire cages are made of fire. Not just any fire, but white-hot fire: Flames so flaming hot that they reflect white, rather than gold, orange, red, or even blue.

[†] The Brightly-Burning Yuletide Candle is made up of five great flames: Red, Gold, Green, Blue, and White. Most notably the Brightly-Burning Yuletide Candle is what lights the way for the holiday. Oh, you didn’t know that? If you think on it a minute, perhaps two, it’s quite logical. Even if you celebrate the same holiday every year, you still need to find your way to it. Suppose you lose your way?

[‡] Stealing the white flame from a candle meant for good cheer and merriment, and then using it to control a Winter Wizard? How evil is that? Evil enough to be called evil by this Storyteller.

[§] Well, they don’t have cell or email service in The Forest. The woodland creatures tend toward good old fashioned face-to-face conversation; however, there are times when the Great Holiday Making Tribe must communicate with one another quickly. And this was most certainly one of those times!

[**] The way it works is that every year Yule is celebrated. After Yule comes the New Year. And after that? Well, certainly you must know the rest of the holidays! The point is: if Yule isn’t celebrated (or “You’ll” depending on how you celebrate) it doesn’t take an expert in Time to know that the New Year cannot happen. And of course without the New Year, we cannot have any of the rest of the holidays, now can we?

Intricate Knot is proprietor of Art For A Gloomy Day.Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next season for more adventures of Fiddler the cat and his best pal Wilbur.

 

The Origins of the Christmas Elf

Origins of the Christmas Elf-By Angelique Duncan

Legends, traditions and stories about elves have existed for centuries. They find their first mentions in Norse, Scandinavian and Celtic folklore. However the Elves and their associations with the Christmas season is a fairly recent holiday tradition, becoming part of our popular contemporary culture of the United States only within the late nineteenth century.

As with many of the lost magical races; the Elves have shared traits and qualities that mingle with and confused with other enchanted species. Depending on the region and type of Elf, their descriptions and purposes vary. The imagery of Elves range from older bearded men to young and hairless, some have said they have eyes that glow when it is dark and some say they have one eye like that of a Cyclops. Consistently they are described as having pointed ears and being of small stature. Some legends say they are shape shifters and even capable of becoming invisible.

They are believed to be supernatural in their powers and capable of magic. Some believe that nature Elves have unique youthful beauty with slender bodies and narrow features. It is believed that Elves are ambivalent towards humans and may choose to help, sabotage or ignore them upon their whim. Most mythologies consistently tell of Elves as protectors against evil who guard over innocence, such as small children and animals and often bearing gifts.

In Scandinavian folklore the Elves are known as Tomte, Nisse, Tomtenisse and are often confused with gnomes. They are said to have long white beards, wear comfortable clothing or tunics and most always have a hat, usually of bright red or blue that is pointed or knitted. They are said to have pointed ears and eyes that can reflect light giving the illusion of glowing eyes. At tallest, reports say that they stand 3 feet, while some say they are of the same description but not more than 5 inches tall with smooth hairless faces and big round eyes, with four fingers

It is said that like gnomes or brownies that the Tomte live in barns or in hidden places within a homestead acting as a guardian over the home. They protect small livestock, pets and the children from any evil that may try to enter the family home. It was widely believed that the Tomte or House Elves are spirits of relatives who returned to help guide their family, some saying that they are the collective spirits of ones ancestors embodied as one small being as a reminder you are being watched over and protected.

When treated with dignity and respect they will help around the house and yard bring good fortune. It is customary to leave a bowl of buttered porridge out for ones Tomte as a sign of appreciation. Also it is common etiquette to always give warning when something is spilled or fallen to “look out below” to the Tomte as so they won’t get hit or spilled upon. The Tomte reward their family with small gifts if they were considered worthy in virtue.

Tomte are offended by ill behavior such as swearing, laziness, crass or lewd humor and tackiness. They do not accept gossip or lies and absolutely will not tolerate disrespect or harm to animals. To do so results in retaliation. If witnessed by a Tomte or Elf he will fight to defend the animal. Many believed that a bite from a Tomte is poisonous and results in going mad and that the only method to heal such a wound is from a magical healing source.

Many would keep a small figurine or statue of a Tomte or Elf on their mantle or bookshelf to remind the household that their ancestors were watching and to invite the spirits or relatives in. However after the rise of Christianity the practice of leaving invitation to the spirits of deceased ancestors became frowned upon. The figurines were seen as keeping false idols and an invitation to the devils spirit. People began hiding the Tomte or abandoning them all together for fear of persecution. Some say that the Tomte and Elves went into hiding during this era, abandoning their homesteads and human families.

The Tomte were associated with the Winter Solstice and became the Swedish and Norwegian equivalent of Santa Claus. The Tomte were depicted often with or riding a pig or goat. The pig was considered a symbol of fertility and good luck and the goat was the Tomtes predecessor to the Yule holiday, known as The Yule Goat. Tradition had it that the Yule Goat would knock on doors delivering presents. It is thought that the Christmas gift bearing Tomte combined the two mythologies to preserve Pagan folklore of the ancestral spirits visiting the home.

Around the 1840’s in Denmark the Tomte or Nisse Elves took on the name of Julenisse, a singular Elf-gnome like creature who is said to live in a forest and comes riding a goat door to door to deliver gifts at Christmas. With the rise of the Santa Claus tradition, Julenisse eventually replaced the Yule Goat and took on a more Santa like appearance in his depiction. Following with the tradition of the Tomte, it is customary to leave a bowl of porridge for Julenisse in gratitude for his gifts.

It was during the Victorian era that Elves became associated with Christmas in the USA, the United Kingdome and Canada. In the poem A Visit from St. Nicholas written by Clement Clarke Moore, St. Nicholas is referenced as an Elf. St. Nicholas gradually was replaced in popular culture by the jolly image of Santa Claus and there after Elves became popular in Christmas literature and imagery. The legends arose out the many stories and folklores of the existence of magical Christmas Elves that lived at the North Pole. They are usually described as very dainty with pointed ears and clad in green. The magical Christmas Elves are said to live in Santa’s workshop as toy builders. They tend to Santa’s flying reindeer, bake, and over see all things Christmas through out the year until Christmas Eve when the toys are delivered by Santa.

So perhaps the Elves find their place in Christmas through literature and fairy tales as the stuff of myth. Or maybe they are the spirits of our ancestors who try to protect us, unseen. The Elves, as we call them, seemed to have evolved from the Scandinavian Tomte traditions of long ago to find their way into popular European and American holiday culture.

There are those however, who believe that the Elves are real and still here, just in hiding. Studies done in Iceland in the last decade by the University of Iceland’s Faculty of Social Sciences reveal that overwhelming as a nation, the Icelanders believe that ghost are among us and that the Elves, known as the huldufolk or hidden folk, roam the country side, hiding in rocks and caves safely obscured to most humans.
Perhaps they are still here and maybe once a year on a cold winters night they return to check on us. When you leave out the plate of cookies and milk for Santa Claus set out a little bowl of porridge with butter, just in case to invite them in and let them know you still believe.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Santa Rode a Goat?


Santa Rode a Goat?
-By Debbi Decker

Every year, right before Thanksgiving, my father would start the holiday decorating, bringing out his vast collection of Santa figurines. These were collectible ornaments that he would stand on his mantel over the fireplace. The figures were based upon legends about St. Nicholas and Santa Claus from all eras and from all over the world. A few of the figures were rather interesting in that they included some of the more pagan elements of the legends. There were figures with wassail bowls, Santa masks, holly crowns, and assorted animals associated with the legends.

One particular figurine that always fascinated and puzzled me was that of a Santa wearing a crown of holly leaves, holding a wassail bowl, and riding a goat. Yes, a goat. I always enjoyed seeing that one, and would make sure Daddy put it in a prominent place on the mantel so it was visible to all. It resonated with me as a Pagan, because the goat, holly, and wassail bowl are all pre-Christian references to older Pagan legends associated with the Winter Solstice season.

This year, I ran across a post by a fellow Halloween Artist Bazaar member (Chad Savage and his annual Creepmas event), that referenced the word “Joulupukki”. Curious, I googled the word, and what do you know but here lies the meaning behind that figurine of Santa riding a goat.

Joulupukki is a Finnish word which means “Christmas Goat” or “Yule Goat”. While I did not find a great deal of information, it appears that the Yule Goat is connected to Norse mythology and the goat was the animal that pulled Woden’s chariot during the Wild Hunt at the Winter Solstice. There are still areas in Finland where older men will dress up as goats and perform for food leftover from celebrations. These men are called “Nuttipukki”. I have to say that looking at the images in connection with the Nuttipukki, I can see a very close correlation with the images of Krampus that are becoming so popular now.

The Santa my father owned came in a box with an explanation on the back that focused mostly on the old English custom of Wassailing, stating that the figurine was modeled after a sketch done by Robert Seymour, an illustrator for the Pickwick Papers by Charles Dickens. Nothing is mentioned about the goat other than it being a beloved English custom (!) of Santa sometimes seen as riding either a goat or a donkey. While I did research the Pickwick Papers, I was not able to find the illustration, however, I did run across it in The Book of Christmas by Thomas Hervey, published in 1836 (the date shown on the base of the figurine).

So, there you have it. Santa sometimes rides a goat, and drinks wassail (mulled cider) while sporting a holly crown. I suspect he is the life of any party he attends.

Debbi Decker is proprietor of Crazed Poppet Creations Art & Assemblage Emporium. Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next month for the telling of hauntings and ghostly tales by Debbi Decker.

Featured Artist Interview December 2015: Chad Savage

To find where Chad Savage sells his wares visit him artist page on HAB. 

Interview with Chad Savage of Sinister Visions:

At what age did you discover your love of Halloween?

I’m quite comfortable claiming that I didn’t discover my love of Halloween so much as it was always innately in me. It’s been my favorite thing in the world, quite literally, as long as I can remember. My family celebrated it and decorated for it during October, but I wanted it all year long.

What is your fondest Halloween memory?

Halloween 1977. I was Luke Skywalker, my aunt was on our front porch as a witch with a “boiling cauldron” of hot apple cider, my dad was a ghost who shepherded us kids while we went trick or treating (he would just stand in the street, covered with a white sheet and wearing sunglasses so you couldn’t see his eyes, and stare into the open door – very unsettling to the folks handing out candy!). Everybody decorated, some houses had set up make-shift haunted yards and garages – the whole neighborhood enthusiastically participated. It was the kind of Halloween you seen in movies now.

How do you celebrate Halloween?

On a base level, I celebrate it all year – I am surrounded by jack o’lanterns made of rubber, plastic, clay, metal and more in my office, and both of my arms are sleeved in Halloween-related tattoos. In late September we decorate the house and yard. During September and October we go to as many Halloween and Autumn themed occasions, parties and events as we can. Haunted houses, too. On Halloween night up until this past year I took my daughter trick or treating, dressing up myself as something scary enough to make people cross the street rather than walk past me on the sidewalk. This last year, however, my daughter decided she was too old to trick or treat, and the weather was awful, so we stayed in to hand out candy to trick or treaters who never really showed up and watched Halloween-themed movies. Kind of a let down, really. We’ll have to think of something more exciting for 2015*…

*Interview conducted pre October 2015-hope Chad and his daughter got to do something really cool!

When did you start creating in your medium and what training have you had?

I come from an artistic family on my father’s side and have been drawing and painting since I was old enough to hold a pencil. I have a BFA degree in illustration and graphic design.

What was the inspiration to create what you create and when did you know you wanted to create Halloween?

Monsters and spooky things have always informed my artwork, even when I was a kid. My full time job now is creating marketing materials, branding and websites for haunted attractions and horror/Halloween-themed businesses, so my life on a daily basis is inspirational when it comes to creating Halloween art!

Christmas Spider Art Event

Halloween Artist Bazaar Christmas Spider Art Event

Participating members of Halloween Artist Bazaar have created special edition Christmas Spiders to celebrate The Legend of the Christmas Spider. One of our cultures most common holiday customs comes from a very old German and Ukrainian legend of one of the tiniest and misunderstood of creatures. The tradition of covering ones holiday tree in shiny sparkly tinsel originates from the Legend of the Christmas Spider. There are different versions of the legend however the root of the story is mostly the same across cultures. To read more about The Legend of the Christmas Spider…

Winter Holiday Give Away 2015


The Winter Holiday Give Away has concluded! A winner has been chosen!


Thank you to all here entered and left us Winter greetings!

To all our friends and followers warmest regards for a bright and happy Winter season!

How To Enter:

Step 1: Visit one of the contributing HAB artist from the list below. If the artist your spreading holiday cheer to is an Etsy store contact them using the “contact the owner” tab on the left sidebar of their shop. If they are on the HAB catalog use our contact form. Leave them a message spreading holiday cheer in what ever sentiment or phrase that means to you.
Step 2: Visit our Facebook page and “Like” us and comment your Winter Greeting on our wall.
Step 3: Fill out the official Winter Holiday Give Away entry form below.

Official Rules

Entry deadline is Midnight on December 17th 2015 Central Standard Time. The Winner will be chosen at random. One entry per person. Winner will be notified via email. The prize will ship on December 18th 2015. The winners name will be posted on the Halloween Artist Bazaar website and Facebook page. Information obtained will only be used to contact winner in regards to contest. HAB does not release or sell information from our entry forms or contact page. All ages welcome to enter. Members of Halloween Artist Bazaar are not qualified for entry. Contest open internationally, however please note that prize may not arrive before December 25th due to international shipping delays. *Your countries custom charges may apply.

Contributing Halloween Artist Bazaar Artists in order of photo appearance:(check back as the list grows and photo’s of the winnings are posted!)
Twilight Faerie
Jan’s Beads
Crazed Poppet Creations
Sauvage Raven Creations
Gothbunny
Art By Sarada

Thanksgiving week Sales and Savings 2015


The week of November 21st through November 30th visit the shops of Halloween Artist Bazaar members for special holiday sales and offers. Some shops will be hosting sales throughout the holiday season! Check back often to see what sales and coupons have been added.

Participating Halloween Artist Bazaar Artists:
 
Twilight Faerie 10% off for repeat customers with coupon code THANKYOU1 through January 1st 2016. Etsy shop and Free gift with purchase from Twilight Faerie Etsy shop and on the HAB catalog November 1st 2015 through December 24th 2015.
 
Crazed Poppet Creations Beginning November 1, 2015 through December 31, 2015 I will have a 30% off anything in my web store.
Use coupon code CRAZED30. And let me know if it does not work and I will refund or whatever needs to be done.
Crazed Poppet Creations website
 
Gothbunny Free domestic shipping on everything in Gohtbunny Etsy shop until the end of November. Use coupon code BLACKBUNNY Gothbunny Etsy shop
 
 

 

Everlastings and Offerings


Everlastings and Offerings
-By Debbi Decker

All Saints Day can be a very busy day in New Orleans’ cemeteries. Peering through the gates, you might see a few families busy among the tombs, polishing marble and brass, and pulling the weeds and the ferns that can root in the tiniest of cracks in the surface. There are not as many families present these days as there would have been back in the 1800s and early 1900s. Time has taken its toll on the tombs, and many of the families have either moved away or died out. Still, those that can will take the time to care for the tombs that belong to their families, and there are cemetery preservation societies that are attempting to halt the destruction and decay. Candles continue to be lit, and the priests still come to bless the graves.

During the 1800s, it was a common practice for vendors to set up outside of the cemeteries around New Orleans on All Saint’s Day to sell fresh flowers to be placed in vases in front of the tombs. Over time, and as people came over to the city from Europe, decorations for the tombs called “immortelles” were introduced to the general public and sold to the families as they entered the cemeteries to clean and decorate the family tombs. The word is of French origin and means “everlasting”. These decorations or offerings would have run the gamut from simple straw flower bouquets to elaborate woven wire wreaths full of beads and china roses. Zinc would have been cut out in the shape of leaves and made into wreaths. Reverse glass paintings of various images and symbols were popular, as were woven hair ornaments. Black roses made out of linen and woven into crosses or other religious shapes were popular. Some of these immortelles were brought over from France, while others were made in New Orleans. Mark Twain commented upon immortelles, stating that “they required no attention… and last like boiler iron”. As advances were made in the silk and plastic flower industries, placing elaborate immortelles on the graves and crypts went by the wayside. The silk and plastic flowers cost less, and families could afford to change out the decorations as often as they wished. There is still evidence that the practice continues in some areas, however, it appears more as a personal afterthought or an offering rather than the actual act of leaving an immortelle as it would have been perceived back in the day.

A recent stroll through Lafayette Cemetery No. 1 in the Garden District revealed that the leaving of offerings is still alive and well in New Orleans. Especially at the resting places of people who may have been active in the practice of the Voodoo religion. It also appears that certain crypts have been turned into shrines, as is the case of the tomb of the Society for the Relief of Destitute Orphan Boys (see picture). I have no idea why this particular crypt has now become a shrine and this has only happened in the past two years. When I last visited the cemetery in 2013, there were no offerings on this tomb.

You never know what you will find. During my visit I discovered a hand painted canvas depicting a Mardi Gras mask. Many tombs had beads draped over them, some had metal or glass vases full of actual flowers withered from the heat and passage of time. I noticed a few small toys and tiny cherub statues, as well as bouquets of silk flowers that seemed to fare better in the heat than their living counterparts. Cigarettes, lipsticks, vials of oils and perfumes, cigars and chewing tobacco decorated the crypt’s ledges, as well as small pouches with indeterminate contents to be wondered about or guessed at.

It is not clear from the offerings left what exactly is going on, but as with the Voodoo offerings at the various local mambos’ and houngans’ tombs, I suspect that the petitioners are leaving little gifts behind as thanks for the spirits’ help with their requests. Why these particular tombs are chosen may never be known. And, in a sense, these kinds of offerings become immortelles or everlastings because these offerings will remain. It is acceptable to look over the leavings, and even take a picture or two. You are encouraged to add your prayers and leave an offering of your own. Never ever disturb or take the offerings at these tombs. To do so would anger the spirits and could bring great spiritual harm.

Photographs “Immortelles”, “Blessed the Child”,”Society for the Relief of Destitute Orphan Boys”, “Society for the Relief of Destitute Orphan Boys close up”, “Offerings” and “Mask Gift” provided by Crazed Poppet Creations and are copyrighted images. To contact Debbi Decker for purchase of these prints visit her website.

Debbi Decker is proprietor of Crazed Poppet Creations Art & Assemblage Emporium. Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next month for the telling of hauntings and ghostly tales by Debbi Decker.

The Turkey

The Turkey-By Angelique Duncan

When one thinks of Thanksgiving images of the proud, plump turkey is immediately to follow. The nostalgic symbolism of this magnificent bird at Thanksgiving is so synonymous with the celebration that the holiday is often referenced as “Turkey Day”. How did the turkey become our national symbol of Thanksgiving? The bird has a rich and noble history worthy of acknowledgment as one enjoys their harvest feast.

The turkey was once revered by Mexican and South American tribes as a sacred bird and in some tribes like the Aztecs, Toltecs and Myans was appreciated as a God. The mythologies and symbolisms varied from tribe and region based on observations of the turkeys’ traits and behaviors.

In some Native North American cultures the turkey symbolized fertility, virility as well as pride. The male turkey will show it’s decorative plumes and strut in an elaborate mating dance to attract the female of the species. The dance of the turkey is seen as prideful and arrogant with grand confidence. This mannerism was often imitated by tribes before battle with the wearing of full turkey feather robes and headdresses.

The turkey was also known for being a bird of great wisdom and a messenger of warnings. The turkey has been said to have a sixth sense for awareness of its environment and can warn of danger and predators. They will fluff their plumes and take an aggressive stance if they feel threatened; well before the danger presents its self. The fowl will become intensely protective and never holds back in attack or when confronted with battle.

Turkeys will roost in trees and elevated spaces away from predators and to have a vantage point to oversee their territory. In the sleeping flock one turkey will be “appointed” look out to give warning of danger. Turkeys have very specific calls, gobbles and screams that have meaning for communication among the flock, creating a fairly sophisticated bird language of signals.

To many tribes the turkey was considered a rain spirit for their ability to predict the change in weather. When rain is eminent turkeys will puff their ornate plumes and fluff their feathers and give calls and dance. The rain dances of many North American tribes are an emulation of the turkey’s rain dance.

Tribes attributed the turkey with the symbolism of bounty, sacrifice and generosity. The turkey was given between tribes as a gift of bounty and goodwill. Being one of the hardest of the large fowl to successfully hunt and its ability to feed many when caught, the wild turkey was often the game of choice for ritual and celebratory meals of the Native Americans. Unlike the modern domestic turkeys raised for quantity of meat who are sluggish and cannot fly, wild turkeys can run at speeds up to 25 miles per hour and can fly short distances at 55miles per hour. Making them quite the challenge to catch for a predator or hunter. The turkey was present for harvest meals as a special bounty, well before the arrival of the pilgrims to American soil.

The turkey arrived at its namesake as a matter of mistaken identity from Spanish explorers who discovered the bird thinking they were returning to Europe with Guinea fowl from Turkey. Given the bird was acquired unknowingly from the wrong continent; it was named for its origin of discovery. And so the name was given to the North American fowl after a country the bird had never traveled from.

It is widely accepted that turkey was served at the first documented Thanksgiving meal, although there is no concrete evidence of this. It has been documented that beef and fowl were served at the first Thanksgiving feast, but no bird is specified. Turkeys are natural to the southeast and southwestern states and would not have been prevalent on the eastern seaboard at that time. Some historians say that the intent was to find and hunt a turkey, but the pilgrims were unsuccessful and stories tell that humble crows and fish were eaten instead. There is a historical letter that was written during the era of the pilgrims that mentions a turkey being served as part of a feast, however the document is not in reference to the legendary supper of Myles Standish fame that is romanticized in the Thanksgiving tradition.

Although turkey may have been served at some feasts, it has been accepted by modern historians, that the turkey did not become the traditional meal of the holiday until much later. Many Americans would serve goose, chicken or quail in lieu of the turkey as the centerpiece of the traditional meal. Turkeys may have become popular due to the aforementioned letter written by a pilgrim, Edward Winslow, which referenced a turkey hunt before a Thanksgiving meal. Some equate the popularity of Turkey at Thanksgiving from a proclamation by Alexander Hamilton that “no citizen of the United States should refrain from turkey on Thanksgiving day”. The turkey was a symbolic bird in the nations beginnings and was advocated by Benjamin Franklin to become the national emblem instead of the bald eagle. The historical quote follows:

“For my own part I wish the Bald Eagle had not been chosen the representative of our country. He is a bird of bad moral character. He does not get his living honestly. You may have seen him perched on some dead tree near the river, where, too lazy to fish for himself, he watches the labour of the fishing hawk; and when that diligent bird has at length taken a fish, and is bearing it to his nest for the support of his mate and young ones, the Bald Eagle pursues him and takes it from him.

With all this injustice, he is never in good case but like those among men who live by sharping & robbing he is generally poor and often very lousy. Besides he is a rank coward: The little King Bird not bigger than a Sparrow attacks him boldly and drives him out of the district. He is therefore by no means a proper emblem for the brave and honest Cincinnati of America who have driven all the King birds from our country…

I am on this account not displeased that the figure is not known as a Bald Eagle, but looks more like a Turkey. For the truth the Turkey is in comparison a much more respectable bird, and withal a true original native of America… He is besides, though a little vain & silly, a bird of courage, and would not hesitate to attack a grenadier of the British guards who should presume to invade his farm yard with a red coat on.”

How the turkey became the official sacrificial meat for the modern Thanksgiving meal is truly unknown. However it is now a mainstay of the holiday and one could not imagine Thanksgiving with out turkey. When celebrating all you are thankful for this year and counting your blessings, remember to give thanks to the turkey, a bird of noble and rich history worthy of its own American holiday.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.