Featured Artist Interview August 2016: A Paper Witch

To find where Jennifer of A Paper Witch sells her wares visit her on her artist page on HAB. 

Interview with Jennifer Mahoney of A Paper Witch:

At what age did you discover your love of Halloween?

I think I always loved Halloween as a young girl, but around my 20’s is when I started collecting vintage Halloween. Now at 40 something…I still cannot pass up most Halloween décor!



What is your fondest Halloween memory?

My fondest Halloween memory so far is putting on a Halloween party for a group of 4H children. The old style games where such a hit. We also had a haunted forest that they where driven to. Since that party, those kids have put on a Haunted Barn at the local fairgrounds. They all come back from college or family time to create an awesome spooky event. Who doesn’t just LOVE to put on a costume! 


How do you celebrate Halloween?

Last year we moved and bought a Victorian 1880s home. We now decorate it and enjoy having over 450 treaters stop by. I wear one of my many witches hats!



When did you start creating in your medium and what training have you had?

I create all year around! No training, just love vintage and art.


What was the inspiration to create what you create when did you know
you wanted to create Halloween?

My inspiration for my ornaments comes from my love and my families’ love for antique ephemera. We have a huge collection of vintage paper. And Halloween just happens to be my favorite! Who doesn’t just love the color orange!

The Hounds of Hell and the Big Black Dogs


The Hounds of Hell and the Big Black Dogs
-By Angelique Duncan

Like black cats, big black dogs are surrounded by superstition and mystery and associated with a dark place in mythology. These legends can be found in the writings of many ancient cultures going as far back as the Greeks, Celts and Norse mythologies pre Christianity and persist into modern culture on nearly every continent. Although they have been given many different names; Phantom Dogs, Devil Dogs, Fairy Hounds, and Fire Hounds, most commonly they are known as Hellhounds.

The descriptions vary from culture and continent, however there are commonalities that tie the legends to the same sort of canine beast. They are unnaturally big and black. Often described as having razor sharp teeth, large feet with claws and glowing eyes of red or yellow. Their fur is said to be long, wild and unruly. Hellhounds are believed to have a loud, ferocious and frightening growl, emit a foul odor of death or smoke and breathe fire. They are said to have supernatural speed and strength and in some legends leave a trail of fire left where they have ran or burning embers where they have sat. Some say they have a ghostly specter appearance. In some regions they appear as a normal dog of unusual size but can shape shift or disappear at will. In some mythologies they are said to be three headed and in others headless.

Depending on the culture the belief in their purpose in this world varies. To some they are an omen of something bad to happen. To others they are sacred guardians. Many believed that they guard the gates to Hattie or the openings to the underworld of death. Known by some as the Bearers of Death, myths say that Hellhounds are sent by demons to retrieve souls that belong in hell or owe a debt to the devil. Others say they collect the undead who wander the earth aimless and take them to the world of the deceased. The Welsh, as well as other cultures, believed that they may only hunt for souls at designated times of year such as during the Wild Hunt. It is widely thought in Europe that the hounds may enter this world on the night of the Autumn Equinox and remain until the end of Winter at the Spring Equinox. Some believe they appear on Halloween and may roam freely to hunt until the night of the Winter Solstice. Some say they are allowed to enter this world such days as Good Friday, All Saints Day or Christmas Eve.

Superstition has it that if one looks into the eyes or hears the bark of a Hellhound it is an omen that great tragedy will come or that the individual or some one they love will die. Some legends say one must sight a hellhound three times to be taken by it.

Magical Fairy Hounds are thought to be protectors of the supernatural world. They guard the faeries and elves that pass through to the mortal world. Some say that they guard the treasure and sacred mystical grounds of the magic folk. They can be seen as a large dog wandering the woods, however if one gets too close to what they are guarding they will turn into a viscous attack creature.

Early Christians would bury a black dog alive on the grounds of a freshly built church believing the spirit of the dog would protect the building, grounds and congregation. In some European, Germanic and Nordic cultures it is believed the hellhounds are the returned spirits of dogs who where killed by this practice wandering the earth either to exact revenge for their ill fate or because their souls are now trapped and cannot go on to the afterlife.

In some legends the hellhounds are believed not to be evil, but benevolent in nature. It is said they can be summoned to protect a people. Once called upon they are fiercely loyal and will imprint on that individual their entire life. They are sometimes sent to watch over a good soul who is ill to prevent demons or the devil from stealing them to hell and ensure the soul has safe passage to heaven undisturbed. Another folklore tells that the hounds are sent as messengers to deliver the communication that a loved one has passed. Mysterious large dogs seen in graveyards are said to be protecting the resting place of their loved ones or have been summoned to protect a special grave.

Till this day, people all over the globe claim sightings of Hellhounds documented through photographs, videos and written testaments. They have claimed to be seen in forest, churches and graveyards and upon deserted roads. Whether these sightings are supernatural spirit dogs or wild lost dogs wandering without a home is not confirmed.

Not unlike the superstitions surrounding black cats, black dogs have suffered the discriminatory consequences of these legends and folklores. Today big black dogs are the least adopted of all dogs in shelters and are euthanized at greater rates than other colors of dogs. Surveys by shelters and animal rights groups show that people still connote black dogs with Hellhounds and some kind of evil. People will show fear when approached by a big black dog whereas they will not fear a yellow, white or brownish dog. The reality is big black dogs are wonderful, loyal and make great companions. If you are looking to add a canine to your family, consider adopting a big black dog. They may just be the greatest friend and guardian you will ever encounter.

In loving memory of Doss; loyal friend, fierce protector and beautiful soul.

*This article has not been written to perpetuate the fears of black dogs. Quite the opposite, it has been written to examine the history of why people fear black dogs and encourage folks to see them for what they are; majestic beautiful animals who need to be loved too and encourage folks to adopt big black dogs.

Black Dog Syndrome –Slate

To learn about Black Dog Syndrome and adoption visit Petfinder

Black Dog Syndrome

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Featured Artist Interview July 2016: Chaos In Color

To find where Annie of Chaos In Color sells her wares visit her on her artist page on HAB. 

Interview with Annie Dunn of Chaos In Color:

At what age did you discover your love of Halloween?

I can’t remember a time when I didn’t love Halloween. We lived across
the street from a cemetery when I was a kid so from my perspective the
world was a little bit spooky all the time.

What is your fondest Halloween memory?

My parents used to give out fresh cinnamon sugar doughnuts at
Halloween. Each one came in its own little yellow bag with a twist-tie. I wish we could do that now but with so much fear about the
safety of Halloween candy, I think that people these days would be
suspicious of food that isn’t store packaged.

How do you celebrate Halloween?

I decorate inside the house starting in September. Then on Halloween
we decorate the front yard and give out cookies. Last year we brought
out the Chaos Reaper in full costume to greet the trick-or-treaters.
That was a lot of fun. There was so much screaming. We’ll probably do
that again this year.

When did you start creating in your medium and what training have you had?

I started digital painting in 2003 but I first started working with
computer graphics in 1985. In terms of artwork I haven’t had any
formal training beyond a few drawing classes. Whatever skill I have is
mostly about time and practice.

What was the inspiration to create what you create when did you know
you wanted to create Halloween?

I think that macabre humor has always been my thing. I’ve had quite a
few people ask me if I could use my style to paint them something
“normal”. These folks want more traditional landscapes and portraits.
There are so many artists who already do that, and it has never really
held my attention. I’m much more interested in things that haven’t
been done before, or in things that are at the very least unusual. The
process of discovering something new while painting is what keeps me
motivated.

Annie

MONSTER MUNCH: BLOOD, BONES, BRAINS, BUGS!

MONSTER MUNCH: BLOOD, BONES, BRAINS, BUGS!-By Katrina Sosnowski

Hi everyone I hope you are ready for a tasty treat! This is a fun recipe I found online for a spring Easter treat that I have changed to be a bit ghoulish for Halloween or any time you have hungry monsters you need to feed. I made the Easter version for a party and it was a huge hit so I think this version will be too. It’s easy and you only need 4 ingredients! Here we go!

1/2 cup un-popped popcorn kernels, or 2 bags tender white popcorn (Brains)
12 oz red candy melts such as Wilton, they taste like vanilla! (Blood)
1 1/3 cups pretzel sticks broken in to small pieces (Bones)
12 oz chocolate chips, you can also use mini chocolate chips or M&Ms (Bugs)

1- Pop popcorn in a popper or microwave according to manufactures directions; remove any un-poped kernels let cool. Toss in broken pretzel pieces and chocolate chips. I used a cookie sheet you can also use a mixing bowl.

2- Melt candy melts in a microwave safe bowl on high for 30 second intervals stirring after each time until melted and smooth. Drizzle half of the melted chips over the popcorn mixture then stir or toss gently a few times. Drizzle remaining candy over popcorn mixture until evenly coated.

3- Allow mixture to cool and harden then break into pieces and store in an airtight container.

4 – Enjoy!

*Original recipe from bake at 350.

Katrina Sosnowski is proprietor of Gothbunny Gifts that scare and sparkle. Check out her artist page to find links to her shops and her fine sculpted jewelry and gifts. Visit again next month for more from HAB members contributing to the Spooks Gazette.

Featured Artist Interview June 2016: Ghostgap

To find where Julia of Ghostgap sells her wares visit her on her artist page on HAB. 

Interview with Julia Chabatar of Gostgap:

At what age did you discover your love of Halloween?

I have loved Halloween my whole life.

What is your fondest Halloween memory?

I guess my childhood days would be my best Halloweens. Back in the seventies most the kids wore paper masks, but my Mom would make us elaborate costumes from old gowns and dresses she wore to wedding parties or other special events. She would ask us in September what do you want to be this year?

We would go to Linville orchards in the fall. They had hayrides, and candied apples and we would get the red kind not the caramel. In the shop she would buy some dried flowers in autumn colors to make lovely bouquets for the table. She would decorate the whole house for Halloween inside and out.

On Halloween night my sister and me would go out trick or treating and my Mom would say “I just saw a witch flying on her broom into the wood behind our house”. She made you believe it the way she said it and I would get excited. After trick or treating we would come in to a beautifully decorated table. She would buy Hallmark printed cups plates and tablecloth and add her own creations. She always had orange soda to look like Halloween; Back then purple was not a Halloween color. She always had her homemade Devil’s food cake with buttercream frosting and decorated it with some sort of Halloween theme using food dyes and her Wilton pastry bag.

We lived on a little dead end street with all seniors and woods behind and my Mom would complain no kids ever come trick or treating With us being the only ones with lights on and decorations the kids avoided our tiny dead end street. So one year we heard the doorbell ring and it was my Dad all dressed in black with a paper bag on his head and a trick or treat bag laughing. I remember Mom talking about witches and ghosts and making up stories to entertain us.

This year will be the first year I will not Have my Mom to celebrate with. She passed this year; but I think on Halloween night I will look up at the sky and imagine I see that witch on the broom and remember my mom who always made the day so much fun.

When did you start creating in your medium and what training have you had?

I been crafting my whole life and we really go through a long dry season without any fun holidays I never got excited about the Fourth of July, so I find myself thinking about Halloween all year and by crafting and creating Halloween things year round It keeps my magical time of the year alive year round.

What is Halloween in June?


Christmas in July, Halloween in June (Repost from 2014)
-By Angelique Duncan

Most folks have heard the expression “Christmas in July”. It usually is used to express a great and unexpected surprise. There seems to be differing opinions and documentation of when the slogan was actually was first actually used. Some historians trace the term back to the 1930’s and 1940’s to different Christian church entities and clubs in regards to annual events involving decorated trees, gift giving and all the trappings of the winter holiday in the hot summer month of July. First official use of the term “Christmas In July” was from an American movie of that title that was released in 1940. However the concept has much deeper and practical origins.

The notion finds its roots in the Victorian era of the 1800’s and early 1900’s. The Victorians, despite being quite extravagant in their winter celebrations with in decorations and gifts were also frugal and inventive people. The practice of purchased gifts at the Christmas holiday did not surface until much later in modern history. The Victorians would primarily give hand made gifts. The common practice was for each family member to make a gift for each other member of the family. For this to be pulled off in time for winter, a lot of planning and preparation was required.

Most gifts were made from what one could find in nature or in ones home. The making of gifts and holiday decorations for the home became part of the summer ritual. During the summer months, materials from nature were readily available. Starting the craft projects early in July gave a window of roughly 6 months to complete the projects of sewing, collecting and drying flowers, canning and preserving special foods from the garden, using oils to sent sachets and pomanders and to build collages or paint objects.

The Victorian practice of hand crafting ones Christmas gifts carried over into the 1930’s during the Great Depression when resources were scarce. In lieu of purchasing items, holiday gifts were from what one could make from what they had on hand. Later in 1944 during World War II, the United States Postal Service and greeting card industry promoted a postal campaign to collect letters and cards in early July for soldiers overseas to help ensure that they would be received for the holidays.

In the 1950’s with rise in incomes and commercialism advertisers for department stores caught on to the phrase to help boost retail sales during the leaner profit months of summer. The idea gained momentum for bargain hunters, who would begin their holiday shopping early in the year. This also allowed for retailers to push out old inventory to make room for the next year’s products.

In the years of the 1950’s through the 1970’s retail marketing of the Christmas holiday season began the day after Thanksgiving, on what is now known as Black Friday. Stores would set Christmas displays and begin their holiday sales for what is considered season of the greatest profits for retailers though out the months of November and December.

In an effort to extend the shopping season and sell more Christmas merchandise retailers began to push the start of the holiday season earlier and earlier each year. The market for winter décor exploded. By the late 1980’s retailers would begin to play holiday music and stock Christmas items the day after Halloween. By the 1990’s and into the new millennium retailers began putting out their holiday merchandise as early as June and July and have capitalized on the “Christmas In July” slogan in hopes to capture revenue from folks doing their holiday gift and decorating shopping early.

The phenomenon of capitalizing and commercializing holidays carried over to Halloween. With the rise in popularity of Halloween in past decades, retailers have taken notice. Sales of Halloween themed items for home decorating, parties, yard decorations and costumes now follows a close second to Christmas related sales and is gaining.

During the early 1990s and 2000’s Halloween entered a surge in popularity in American culture. However availability of quality unique Halloween decorations was limited in the big retail market. Most decorations and costumes prior to the late 1980- 90’s were home made. As the desire for Halloween décor that was on par with Christmas decorating grew, so did the market for Halloween art. Small independent artist and individuals who built yard – haunting décor had found their niche. With the advent of the Internet and the growth of an online upstart auction site known as eBay, demand for handmade Halloween soared. An entire market of Halloween collectors was born. One of a kind direct from the artist creations was highly sought after.

As this national love of all things Halloween grew, national retailers took notice and followed suit. The large retail chains began to offer Halloween collectibles, home decor and elaborate yard art that hit their shelves by late August and September. Big retailers honed in on what was offered by the independent online sellers and created an entire industry of Halloween retail revenue.

Sales of Halloween themed collectibles for home decorating, parties, yard decorations and costumes now follows a close second to Christmas related sales and is gaining. With this popularity of Halloween, retailers now set out mass-produced Halloween items as early as July, often along side the Christmas wares. This has drastically hurt the profits of small independent Halloween artist and yard haunters who once enjoyed a reliable fall retail season for Halloween sales.

From this history a campaign of Halloween in June was born. Independent artist Julia Chibatar proprietor of Ghostgap had the idea in 2013 to create a month dedicated to Halloween outside of it’s traditional month of October as an answer to the commercial concept of Christmas in July. Halloween in June is a month long celebration of all things Halloween with particular emphasis on independent Halloween Artist and their handmade wares. The celebration is a combined effort of Halloween groups comprised of independent artist to raise awareness of the small retail businesses and artist who gave origin to the Halloween retail phenomenon. It is an opportunity to showcase one of a kind handcrafted works available for purchase direct from the artist before the onslaught of big retail Halloween hits the shelves.

Halloween in June is presented by Spooky Cute Etsy Team
Halloween Artist Bazaar Artist Group .

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Halloween in June 2016

  

Take the links below to find unique one of a kind handmade Halloween art, collectibles, jewelry direct from independent artist! Help keep the tradition of handmade art and the spirit of Halloween alive with your own Halloween in June celebrations!

Spooky Cute Team on Etsy:

Spooky Cute Team

HAB on Etsy:

HAB on Etsy

HAB online shopping catalog:

HAB on Etsy

Going to the Masquerade Ball

Going to the Masquerade Ball-By Barb Rondello-Bucher

I have been on a roll with masks lately. One of my favorite folks I made I call Going to the Masquerade Ball. Which got me curious about these balls. So I found this article by Savannah Fox.

Dating back to the 14th and 15th centuries, the Masquerade Ball began as part of Europe’s carnival season. Less high society and more cirque du célébration, villagers would gather in masks and costumes to take part in elaborate pageants and glamorous processions.
Quickly spreading across France like wildfire, some of the most notorious balls of the day would be held to celebrate Royal Entries: the grand occasion of welcoming kings and queens into their cities. In fact, so audacious were the masked balls that in 1393, Charles VI of France held the first ever “Bal des Ardents”. Translated as “Burning Men’s Ball”, the event transformed the more orthodoxly decadent costume ball into a night of intrigue and risk.

In celebration of the marriage of the queen’s lady in waiting, King Charles and five of his bravest courtiers dressed in masks and flax costumes and danced the night away as wildsmen of the woods. The only catch was that if your sashaying edged you too close to one of the many flaming torches that lined the dance floor, your look would be smoking–and not for the right reasons.

Contrary to popular belief, it wasn’t until much later in the 16th century Renaissance period that masquerade balls became associated with Italy, but that never deterred masked members of the Venetian aristocracy from taking full advantage of a scandalous night of anonymity as if it were their own creation. Tied with the Venetian Carnival celebrations, the balls were rife with decadence, gluttony and a large amount of lust. Sadly their reign was rather short-lived, and after the fall of the Venetian Republic in the 18th Century, the masquerade balls began to shrink from the ballrooms of Venice until they were nothing more than a sequined memory.

See the full article by Savannah Fox here.

Barb Rondello-Bucher is proprietor of PunkinPrims. Check out her artist page to find links to her shops and her whimsical kinfolk assemblage. Visit again next month for more from HAB members contributing to the Spooks Gazette.

The Curse of the Mummy

The Curse of the Mummy-By Angelique Duncan

When one thinks of classic Halloween monsters, and costumes the mummy will certainly come to mind; gauze wrappings on decayed skin representing the preservation of the physical body, acting as a vessel holding the deceased until their passage to the afterlife. Petrified and mummified human bodies have been unearthed on nearly every continent. Often associated with Egypt, numerous mummies have been found in Asia, the Americas and even Europe. Mummies have always had a mystique surrounding them and evoke the fear of ancient curses, or the notion that the preserved corpse still holds life that once disturbed will return.

During the Middle Ages mummies were highly sought after for varied and unusual purposes. Many mummies were taken from tombs in Egypt and Africa for the pharmaceutical trade. Until the 16th century it was believed that ingesting powder made from mummies had grand healing powers. People believed that the rituals and rites of the Egyptian burial practices endowed the mummies with immortality that would transfer to the living when ingested. Another popular belief was that powdered mummy would stop bleeding and heal wounds. Some unscrupulous “Medicine Men” would sell the ground up corpses of suicides and criminals that were stolen from graves and sell the remains passing them off as authentic Egyptian mummy powder.

After the medicinal demand for mummies ended and despite early Arabic translations of warnings of curses surrounding disturbed mummies, the powder made from the bodies remained in demand until the early 19th century for paint pigment. The paints that were made from the remains created a brown tint that was called “mummia” or “deaths head”. Many of the great masterpieces that hang in museums today were painted using paints made from mummies. The practice was eventually ended and the color “mummia” was made from ground frankincense mixed with other elements.

Thousands of mummified cats were found throughout Egypt. It was common for these cat corpses to be taken and used for all kinds of purposes, one common use was as fertilizer. Rumors and myths exist that mummies were also used as fuel and the wrappings as paper, however these claims have never been substantiated. During the 19th century the practice of desecrating tombs for profit became frowned upon, as archaeology and the study of civilizations became a prominent science. This however, did not detour wealthy Victorians in England from purchasing mummies illegally for entertainment. The Victorians were fascinated by the romanticism of the occult and magic. Egyptology had become the rave and the stories of ancient curses had made their way into the mainstream. The wealthy would hold parties to observe the unwrapping of the mummies and hold séances with mediums in attempts to awaken the deceased they believed incased in the mummy corpses.

Curses were written or depicted on the walls of tombs in Egypt and were originally interpreted by the Arabs who seldom risked tampering with Egyptian magic. As archeologist studied the Egyptian language and imagery the warnings left in tombs were substantiated. A new study emerged from Egyptology, the history of the curses and their validity through documentation of those associated with the digs and their artifacts suffering from strange illnesses and even unexplained deaths.

Later the widespread belief in the reality of the curses was perpetuated as several famous instances of them coming to fruition were spread through news media. The most famous curse being the deaths surrounding the disruption of King Tut’s tomb when it was excavated. Six people died who were on location at the tombs opening. It was reported by the New York Times that the lead of the project, Howard Carter’s pet canary was found eaten by a cobra. This was pertinent in that it is the imagery of the crest of the Egyptian monarchy. Later six of the team all died from mysterious causes. Rumors at the time stated that the number of deaths was much greater, up to twenty-six deaths, which helped fuel the hysteria and fear surrounding mummy curses. When objects from King Tut’s tomb, including his coffin where exhibited around the world in the 1970’s, many refused to go see the exhibit for fear of the curse and deaths surrounding the discovery.

Another famous curse was documented when Walter Byran Emery took a small statue of Osiris from a tomb dig site. When Emery returned to his room his assistant found him paralyzed on the right side of his body, he was taken to the hospital and by the next day Emery was dead.

In another case when two mummies were removed from their resting place and transported over seas the ship encountered an unpredicted bad storm that tossed them over board. A year later on the anniversary of the excavation 3 family members of the head archeologist all died from mysterious causes.

A recent incident documenting an ancient curse involves an artifact of a ten-inch statue that has been housed in a glass case in Manchester England. It began gradually turning on its pedestal by itself in June of 2013. After staff realized that piece had been shifting direction significantly in a 180-degree turn without any visible assistance, the museum ordered that the case not be touched, the room closed and a camera set up to observe the piece. The footage proved that the piece was indeed moving. Some believe it was the spirit of the deceased whose tomb it was taken from living through the statue. Experts who were brought in to study the artifact say that the phenomenon was caused by vibrations of heavy foot traffic and vehicles on the road outside pivoting the statue on a bump found on the bottom. Some still do not believe the explanation is that simple and hold that the artifact is haunted and cursed.

Science offers that many of the deaths that have surrounded mummies and their artifacts can be explained. It is believed that those who have fallen ill or died were exposed to toxins commonly found in the caves and tunnels where the tombs were housed. Modern science can now identify the dangers of molds, bacteria’s and toxins that early archeologists were not aware of and claim exposure to these things is what caused the mysterious illness and deaths, not the curses left on walls by ancient relatives protecting their dead.

It may be true that there is a reasonable explanation for why so many who disturbed a mummies grave have died or how an artifact pivots on it’s own. However when one is dealing with the dead and curses from antiquity, it’s always best to err to the side of caution
and leave a resting mummy alone. If one shows up at your door on Halloween night be sure to throw in an extra piece of candy, lest you will suffer the curse of a mummy!

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.